Beautiful and macabre: two books from Century Guild

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Arriving in the mail last week, a pair of beautifully-produced volumes which Thomas Negovan very generously sent to me. Negovan’s Century Guild publishes the kind of art I’ve been writing about here for the past twenty years: Symbolist painting, Art Nouveau graphics, Decadent illustration and more. There’s some intersection between the publisher’s backlist and earlier titles from Dover Publications, but where Dover have mostly concentrated on mass-produced paperbacks Century Guild deploy the full range of finishings available to a publisher of high-quality art books: foil embossing, faux leather finishes, spot-varnished boards, edges sprayed in metallic ink, and ribbon place-markers. Beautiful Macabre is Negovan’s own selection of rare poster art from 1868 to 1981, rare enough for most of the material to be new to me: theatre posters, Expressionist film posters, exhibition posters, etc, with an emphasis on Decadence through the ages. This is another of those books that show how the morbid preoccupations of the 1890s became codified in the 20th century into generic horror.

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Cover design by Jack Hargreaves.

The Anton Seder book is a more singular study, reprinting the intricate plates from Das Thier in der Decorativen Kunst (The Animal in Decorative Art) and Moderne Malereien, a collection of Seder’s interior designs in the Art Nouveau style. Seder’s book of animal designs has its own Dover reprint (which may explain how Murray Tinkelman was able to incorporate some of the creatures into his Lovecraftian cover art) but the Century Guild collection includes much more than this, with biographical notes, and pages that place Seder’s books in the context of previous guides and templates for use by artists and craftspeople. This type of book was a common thing around 1900 (Alphonse Mucha produced three of them), while similar examples abound in previous centuries. The fragmentation of art and craft in the 20th century, and the turn against exuberant decoration, put an end to a form whose spirit survives today in reprints such as this. And it happens to have arrived at a time when its contents will be very useful reference for my current commission. Thanks, Thomas!

Previously on { feuilleton }
Eldritch Art Nouveau: Lovecraft at Ballantine
Moderne Malereien, 1903
Das Thier in der Decorativen Kunst

Weekend links 581

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The back cover of Oz 33, February 1971. Art by Norman Lindsay.

Walker Mimms looks back 50 years to the trial of the editors/publishers of Oz magazine, in which the trio were accused of “conspiracy to corrupt public morals” following the appearance of Oz 28, the “Schoolkids Issue”, in May 1970. Elsewhere: corrupt your own morals by reading the offending issue; then see Hugh Grant in a hippie wig in The Trials of Oz, a BBC dramatisation of the courtroom drama; after which you can watch the real editors—Richard Neville, Jim Anderson and Felix Dennis—discuss the whole affair with other interested parties 20 years on (and also see Germaine Greer shame Jonathan Dimbleby into saying the word “cunt” on live TV).

• New music: Caves – A Compilation Of Silences by Other People (“This collection of silences and music can be used as timers for cooking, meditation, running, walking, sleeping or anything you want”), and Vaganten by ToiToiToi, the next release on the Ghost Box label.

Chris Carter‘s favourite albums. I think I own more of the albums listed here (including the ABBA) than any other entry in this long-running series. Which isn’t really surprising…

What I would say about that in general is what I’ve written in the new introduction to Teenage, which is that the 60s youth culture that we’ve been talking about, the progressive, critical side of it came as a complete surprise to adults. And once they identified what was going on, they were incredibly hostile, and authorities were incredibly hostile to it. And from the Thatcher government in the 80s you have a series of measures, a series of laws, a series of attitudes, a series of structures put in place to make sure that that never happens again. So youth itself has been deliberately depoliticised and also had a lot of the opportunities for any kind of autonomy taken away from it. That is, it has been a deliberate government policy right the way through, including Blair, and definitely with the current lot.

Echoes of the Oz debate in this discussion between Jon Savage and Owen Hatherley

• At Perfect Sound Forever: RIP Jon Hassell: honouring a one-of-kind musician/composer.

• At Spoon & Tamago: Edward Luper’s 36 Views of the BT Tower (after Hokusai).

• At Unquiet Things: Doorways into Awareness: An interview with Century Guild.

• Mix of the week: The Ivy-Strangled Path Vol. XXIV by David Colohan.

• Ghost notes: Michio Kurihara‘s favourite guitar solos.

• “Future space travel might require mushrooms.”

• At Dennis Cooper’s: Alexander Hammid Day.

Wyrd Daze Lvl.4 FIVE STAR is live.

Like A Tear (1968) by The World Of Oz | Return To Oz (2004) by Scissor Sisters | Il Pavone Di Oz (Praslesh Remix) (2014) by Verrina & Ventura