Jordan Belson on DVD
Samadhi (1967).
“Jordan Belson is one of the greatest artists of visual music. Belson creates lush vibrant experiences of exquisite color and dynamic abstract phenomena evoking sacred celestial experiences.” William Moritz
Good things come to those who wait. Following their collection of Oskar Fischinger films, the Center for Visual Music releases Jordan Belson: 5 Essential Films in March. Fischinger worked on Fantasia and Belson also exerted some small influence on Hollywood with the special sequences he created for Donald Cammell’s Demon Seed (imaginings of the film’s Proteus computer) and Philip Kaufman’s The Right Stuff (the vortex seen by Sam Shephard at the edge of the stratosphere). You can read more about Belson’s work in Expanded Cinema by Gene Youngblood, an essential guide to film outside the narrative mainstream.
Elsewhere on { feuilleton }
• The abstract cinema archive
A wake for Arthur
That which you will miss: Arthur #1–25.
“And till Arthur comes againus and sen peatrick’s he’s reformed we’ll pose him together a piece, a pace.” Finnegans Wake by James Joyce.
Awake, A Wake!
Come celebrate the happy, all-too-brief life of Arthur Magazine with free giveaways and a reading featuring Molly Frances, Oliver Hall, and Peter Relic.
Thursday, March 1, 7:30pm
Family Bookstore, 436 N. Fairfax Avenue (across the street from Canter’s Deli), Los Angeles, 90036.
Arthur‘s “New Herbalist” columnist Molly Frances incited a revolution nationwide by informing readers of the true powers of almonds, sprigs of mint, and Lord Byron’s secret potion (a.k.a. apple cider vinegar). Molly’s eerily prescient horoscopes have been known to strike the melodic funny-bone of even the most determined non-believer. Tonight Molly will be giving astrological readings as well tripling any double entendre at hand.
Oliver Hall penned Arthur‘s cover story on Kim Gordon and memorably profiled folk radicals Faun Fables. He is the statuesque guitarist with L.A.’s newest psych-rock sensation E.S.P.S., and is seldom seen without his trusty Patsy Cline t-shirt. Tonight Hall will be dispensing priceless aphorisms as well as deconstructing the pungent, multi-faceted phrase “no money, no honey.”
Peter Relic eulogized Jam Master Jay and went on the road with the Black Keys and Sleater-Kinney for Arthur. Relic’s profile of the Geto Boys, reprinted in Da Capo’s Best American Music Writing 2006, was deemed by Seattle’s The Stranger to be “easily one of the most surreal, violent, and ludicrous artists encounters ever documented.” Tonight Relic will be reading from his storehouse of pantoums, an unjustly obscure Malaysian poetic form.
We look forward to seeing you there—dressing in black not a requirement!
Update: Village Voice post-mortem.
Here come The Stooges again
Here come The Stooges again.
Are you ready for The Weirdness?
Vedute di Roma
Three views of the Ponte Sant’Angelo with St Peter’s basilica in the background and the Castel Sant’Angelo (Hadrian’s Mausoleum) to the right. All from this site, a very thorough guide to Rome’s historic buildings with different views through the ages to the present day. Dover Publications had a book available for a while (now out of print) showing Piranesi’s views of Rome beside photographs of the modern city. In a similar vein, there’s the fascinating Now and Then pool on Flickr, the same idea applied to different places (and people!) around the world.
Giuseppe Vasi.
Piranesi.
Luigi Rossini.
Elsewhere on { feuilleton }
• The etching and engraving archive
Previously on { feuilleton }
• The Cult of Antinous