Mitch Hewer, aka gay character Maxxie in the Channel 4 TV series Skins, as photographed by Kai Z Feng. Almost the Flandrin pose; maybe he can lose his jeans next time…
Elsewhere on { feuilleton }
• The recurrent pose archive
A journal by artist and designer John Coulthart.
Gay
Mitch Hewer, aka gay character Maxxie in the Channel 4 TV series Skins, as photographed by Kai Z Feng. Almost the Flandrin pose; maybe he can lose his jeans next time…
Elsewhere on { feuilleton }
• The recurrent pose archive
Nijinski I (2006).
More photographs and montages by Hernan Gimenez at his ArtsCad pages. Via Fabulon.
Elsewhere on { feuilleton }
• The gay artists archive
Previously on { feuilleton }
• The art of Andrey Avinoff, 1884–1949
• The Decorative Age
• Images of Nijinsky
New York-based Mao Mag seems to have a predilection for a particular brand of psychedelic imagery if recent issues are anything to go by. Peter Max was on the cover of #8 earlier this year and appeared inside together with a feature on the equally eye-popping work of Kenny Scharf.
For #9 it’s the turn of AVAF aka Assume Vivid Astro Focus, a Brazilian artist also based in NYC whose paintings and installations combine a psychedelic vibrancy with frequent gay themes. The work in the magazine looks considerably more interesting than the show I saw at Tate Liverpool in 2005 which seemed to suffer from bad lighting and being separated from the Summer of Love exhibition it was intended to complement.
Elsewhere on { feuilleton }
• The gay artists archive
Previously on { feuilleton }
• Heinz Edelmann
• Verner Panton’s Visiona II
The Flandrin pose returns in a photograph for the Adonis series by Brent Dundore. Flandrin was striving for a Classical simplicity in his original painting and the quasi-Classical seat in this picture seems to be doing the same. This might easily become a line drawing like those produced by John Flaxman, a contemporary of Flandrin’s whose work was inspired by Classical sources.

“Athena in the form of Penelope’s sister tells the queen of the return of her son Telemachus” from illustrations for The Odyssey by John Flaxman (1810).
Elsewhere on { feuilleton }
• The recurrent pose archive
Ian with headphone.
Photographs by Brandon Herman at the David Gallery, Culver City, CA. The exhibition runs from September 8th–October 13th, 2007.
In BrandonHermanLand the subjects are absorbed in their own intensely private worlds, whether it be cleaning the pool, contemplating a baseball in bed, or skateboarding nude at night. Herman’s talent as a photographer lies in managing to get his subjects to bare their souls as well as their bodies to the viewer.
Via Towleroad.
Untitled (Patrick swimming hole) (2006).