The recurrent pose 29

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Taner photographed by Hedi Slimane.

No, I don’t go looking for these deliberately, they just keep turning up. This latest manifestation of the Flandrin pose is from a photo shoot by Hedi Slimane. I was going to write a bit more on this subject but haven’t had the opportunity today since the webhost has been having problems and the site was down for a few hours. Something for later. Meanwhile, a commenter recently pointed out this similar example by John Jude Palencar, a Flandrinesque painting for a book cover.

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The recurrent pose archive

Fencing fashion again

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A brace of elegant fencers posing for an Elle Italia spread by photographer Ruven Afanador whose Torero series was highlighted here in April. Afanador’s recent work is worth a look for the set showing a model posing in an antiquated schoolroom among bones and stuffed animals. Via Homotography.

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The men with swords archive

Previously on { feuilleton }
Torero

Bondage Machine

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Photography by Steven Klein, styling by Nicola Formichetti.

Not a Tom Waits album, Bondage Machine is the title of a feature in Vogue Hommes Japan which plays with bondage and fetish imagery to striking effect. What’s not to love about a huge skeletal necklace and leather underwear? Fetish gear is the aesthetic dimension of erotica and it’s always nice to see new manifestations of the form even when, as in this case, it’s largely about fashion designers flirting with the edge of acceptability.

Via the essential Homotography.

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Bad Boy

The art of George Barbier, 1882–1932

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Les Chansons de Bilitis (1922).

I’ve posted examples of George Barbier’s Art Deco drawings before but online examples of his work outside the world of fashion illustration have been difficult to find. The Bunka Women’s University Library corrects that with a collection of high-quality scans which include a book about the artist, George Barbier, Étude Critique (1929) by Jean?Louis Vaudoyer. There’s also his adaptation of the Sapphic classic by Pierre Loüys, Les Chansons de Bilitis, from 1922. The drawings there lack the customary ardour of other adaptations but they’re marvellously elegant nonetheless, with some beautiful page designs.

Note: these books can’t be linked to individually, you need to follow the links from “Art Deco illustrated books” in their site menu.

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Nijinsky (1913).

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Poèmes en Prose (1928).

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The illustrators archive

Previously on { feuilleton }
The Decorative Age
Images of Nijinsky