Filippo Morghen’s Voyage to the Moon

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It’s a shame there isn’t more of this imaginative work from Filippo Morghen (1730–1777). In a series of etchings from around 1766 he presents the moon as a tropical world inhabited by the 18th century conception of New World savages. I especially like the hunter on his winged serpent (above) and the elaborate trap set to behead a wary beast (below). The explanatory text is from this print collection which also has large copies of the pictures.

Filippo Morghen was a member of a large family of artists. His brother Giovanni was a painter and printmaker and his son, Rafaello, was a printmaker who specialized in reproductive prints after Raphael and Leonardo. Filippo himself was a designer and printmaker. In addition to the present series on the theme of a voyage to the moon, Morghen is known for a series of plates detailing antiquities from Herculaneum and for views of the environs of Naples.

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Charles Méryon’s Paris

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Charles Méryon (1821–1868) made his name producing etchings of the city of Paris, and became as accomplished at rendering the solidity of architecture as Piranesi. Méryon manages to do for the City of Light what Piranesi did for the Eternal City with his famous Vedute di Roma, celebrating the buildings whilst paying careful attention to the glamour of deterioration. I looked at the work of Méryon and Piranesi a great deal when embarking on my Lovecraft adaptations and still regret not buying an expensive (for the time) book of Méryon’s work in the late 1980s. Happily there are plenty of museum websites with his etchings in their collections.

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