The art of Justin Todd

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I was pleased to find a copy of this book recently, a slim volume published in 1978 which isn’t especially rare but which usually sells for much more than the £2 I paid for it. Justin Todd is a British illustrator whose work was a familiar sight on book covers in the 1970s, especially when his commissions weren’t restricted to a single genre. Cover artists who work on fantasy novels are often asked to do horror covers (and vice versa), or edged towards science fiction when the material suits their style; Todd worked on fantasy, horror and the occasional SF title while also providing covers for mainstream novels, offbeat non-fiction, historical fiction and children’s stories. Fully-illustrated children’s books evidently became his main line of work in the 1980s—Alice’s Adventures in Wonderland, The Wind in the Willows, a collaboration with Angela Carter—which would have left him no time for cover commissions. I was amused to find him illustrating crank titles (previously) in the early 70s when he did the paperback cover for one of the great anti-crank books, John Sladek’s The New Apocrypha, a few years later.

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The Centre of the Cyclone: An Autobiography of Inner Space (1972) by John C. Lilly.

Todd’s style is easy to recognise once you’ve seen a few examples: meticulous gouache renderings that tend to be slightly naive even when they’re depicting a wholly realistic story like Treasure Island. Gouache is a water-based paint that’s useful when you want a flat, even finish, but it doesn’t give you the depth of colour or contrast provided by oils or acrylics. Todd’s paintings embrace the limitations of the medium, with gradients and shadings that are so soft and diffused they might be taken at first for pencil drawings.

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The Journey to the East (1972) by Herman Hesse.

The Magical Paintings of Justin Todd isn’t a comprehensive study of Todd’s illustration work, more a snapshot of a career in progress. In addition to 64 full-page reproductions there’s a two-page interview by editor and art director Mike Dempsey which provides valuable biographical details. I was pleased to find that many of the cover paintings were ones I hadn’t seen before, including a few Arcimboldo-like faces. Todd had a flair for this kind of visual invention, constructing faces or even whole figures out of disparate objects. I’ve had a copy of The Journey to the East for many years but until this week I don’t think I’d ever looked closely at all the tiny figures making up the central figure that strides across the landscape.

Mike Dempsey maintains a blog which includes a reminiscence of working with Justin Todd.

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Stories of Five Decades (1972) by Herman Hesse.

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Secret Places of the Lion (1973) by George Hunt Williamson.

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The Bible and Flying Saucers (1973) by Barry H. Downing.

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Welsh Tales of Terror (1974) edited by R. Chetwynd-Hayes.

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Mythical Beasts (1974).

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The Book of the Damned (1974) by Charles Fort.

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Sea Tales of Terror (1974) edited by JJ Strating.

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The Supernatural Omnibus: Volume 1 (1976) edited by Montague Summers.

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Seven Gothic Tales (1977) by Isak Dinesen.

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Nightmare Blue (1977) by Gardner Dozois and George Alec Effinger.

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The New Apocrypha (1978) by John Sladek.

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Twisters (1981) edited by Steve Bowles.

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Alice’s Adventures in Wonderland (1983).

Elsewhere on { feuilleton }
The book covers archive
The illustrators archive

Previously on { feuilleton }
Crank book covers

5 thoughts on “The art of Justin Todd”

  1. Not much of comment this – and one that could have been appended to any of your marvellous posts – but I have to say that this site is, for me, one of the most wonderful locations online. Thanks for continually taking the time to put all of this enchanting material together!

  2. Phillip: Wikipedia doesn’t need permission to do a page about him, it just needs someone there to notice that no such page currently exists. It’s unfortunate but there are similar gaps all over that site.

    Toby: Thanks! I enjoy passing on things I’ve found, obviously. I also enjoy being able to do this in a manner that’s accessible to anyone. These days it’s more common to post things on one of the many social media sites which limits the visibility and also ends up being buried almost immediately by the unceasing firehose of new things.

  3. I’ve got a really old version of the Cosmic Encounter board game (Eon, 1977) that’s missing all of it’s alien powers amongst other things, so I thought I’d knock up some replacements using some contemporary art that fits (for personal use only) and it has really struck me how so many of these fantastic artists have almost no presence in Wikipedia.

    Peter Haars has one in Norwegian, but nothing for Justin Todd. I’ve longed to write a bio for Sybille Ruppert since women are particularly under-represented but I’m a terrible writer with too many hobbies and it remains on the to-do list.

  4. Io: I feel the same way about Wikipedia, I’d probably write some entries myself if I wasn’t busy enough already with others things.

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