Atget’s corners

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Un coin, rue de Seine (1924).

Photographer Eugène Atget had a thing for the architectural promontory, as do I for that matter, and this photo of a street corner in the rue de Seine, Paris, has always been a favourite. Atget liked the location enough to photograph it at least twice from different angles. The long exposures bleach the sky and turn passing figures into ghostly blurs.

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Coin rue de Seine (1924).

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Opening up Google Maps to see how the street looks today left me astonished when I realised I’d walked past this very corner without realising it was the location of Atget’s photos. The rue de Seine is one of two streets giving access to the rue des Beaux-Arts, the location of L’Hôtel where Oscar Wilde died. Matters weren’t helped by my walking in the opposite direction to this view so I didn’t notice the narrow corner. In any case the street looks very different today from Atget’s gloomy intersection.

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Maison d’Andre Chenier en 1793–97, rue de Cléry (1907).

Equally as clean and unremarkable is another narrow building in the rue de Cléry which in 1907 was sporting some kind of wooden structure on its upper floor. Google’s cameras tend to diminish whatever space they photograph but the streets seem smaller today when cluttered with bollards, cars, bikes and the ubiquitous green bins of Paris.

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Previously on { feuilleton }
Rue St. Augustin, then and now
Brion Gysin’s walk, 1966
L’Hôtel, Paris

Stille Nacht V: Dog Door

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A short animation by the Brothers Quay which I evidently missed last year when I was searching for their uncollected works. As far as I’m aware this is the most recent addition to the Stille Nacht series, all of which were made to serve some function external to the films themselves: so Stille Nacht I was an MTV ident, II was a music video for His Name Is Alive, III was an extended trailer/preview for Institute Benjamenta, and IV was another music video for His Name Is Alive.

Number V in the series is another music video, this time for Sparklehorse’s Dog Door, a song from the group’s 2001 album It’s A Wonderful Life. Tom Waits is the guest vocalist providing his usual enigmatic wailing. The video was one of several commissioned to illustrate the album’s songs but the Quays still manage to make something that’s very much their own. As with the His Name Is Alive films there’s an atmosphere of polymorphous perversity via the two characters of a masturbating dog (or is it a fox?) and a recumbent doll, also masturbating. A slogan at the end states in French “You’re never too young for debauchery”. (In the earlier videos there was another doll and a toy rabbit.) Copies on YouTube are rough but for the moment it’s the only way you’ll see this one.

Elsewhere on { feuilleton }
The Quay Brothers archive

Lewandowski at Fortune

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It’s a shame that artist Edmund Lewandowski (1914–1998) didn’t do more covers for Fortune magazine as I enjoy this combination of painting and design a great deal. The cover above shows how well you can illustrate a farming theme without resort to a view of rolling fields and busy tractors; the cover for March 1948 would still be a great solution today, diesel trains presented as an almost abstract pattern. Lewandowski is remembered today for his Precisionist paintings many of which continue the industrial theme.

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Previously on { feuilleton }
Petruccelli at Fortune
Fortune illustrators
Fortune in June

Petruccelli at Fortune

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Yet more from the Fortune magazine scans at Chris Mullen’s VTS site. The covers here are all by American artist Antonio Petruccelli (1907–1994), a very versatile illustrator whose work is well-represented at VTS. In addition to his work for other magazines there’s a small selection of unused Fortune designs.

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Continue reading “Petruccelli at Fortune”

Fortune illustrators

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Chemicals by Ronald Searle, November 1963.

More from the pages of Fortune magazine via the labour of love which is the VTS archive. A good reminder of the degree to which some magazines used to support many different kinds of illustrators and designers. The serious piece by Ronald Searle was a surprise since I thought he’d given up that kind of work by 1963. Below there’s a 3D caricature of Robert Kennedy by Gerald Scarfe.

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Poster Portfolio by Cassandre, 1937.

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Incantation by Charles Sheeler, 1946.

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RCA Building by Walton Blodgett, date unknown.

Continue reading “Fortune illustrators”