Le Baiser de Narcisse

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We have the French gay culture site Bibliothèque Gay to thank for posting illustrations by Ernest Brisset from Jacques d’Adelswärd-Fersen’s rare volume of homoerotic fiction, Le baiser de Narcisse (The Kiss of Narcissus). The book was originally published in 1907 but it was a new edition in 1912 which came embellished with Brisset’s Classical drawings and decorations. If these lack a degree of eros it should be noted that the text would have been condemned as outright pornography in the Britain of 1912, a paean to youthful male beauty which lingers over details of a boy’s “polished hips” and his “round and firm sex like a fruit”. As is usual with homoerotics of this period, the Classical setting and allusion to Greek myth provides the vaguest excuse for the subtext even though prudes of the time weren’t remotely fooled by this, as Oscar Wilde discovered.

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Among other works by Fersen there’s a decadent roman à clef, Lord Lyllian: Black Masses (1905), which I’ve been intent on reading since it was translated into English a couple of years ago. Here Fersen provides us with yet another fictional extrapolation of Oscar Wilde who the author gifts with some of his own scandalous history. Fersen had been driven from France following a public outrage involving the “Black Masses” of the novel’s title, and the alleged debauching of Parisian schoolboys.

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Nino Cesarini by Paul Höcker (1904).

Fersen settled in Capri with his partner Nino Cesarini where they spent some years reinforcing the reputation of that island (not for nothing is Noël Coward’s camp and catty character in Boom! named “the Witch of Capri”), and proselytising for the Uranian cause with a literary journal, Akademos, modelled on Adolf Brand’s Der Eigene. Fersen’s later life is reminiscent of that of Elisar von Kupffer, a wealthy contemporary who created a secluded homoerotic paradise of his own, the Sanctuarium Artis Elisarion. Unlike Kupffer, however, Fersen ended his days prematurely in a haze of opium and cocaine. As for Ernest Brisset, if anyone finds other work of his online, please leave a comment.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Reflections of Narcissus
Narcissus

Der Eigene: Kultur und Homosexualität

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Der Eigene, collected edition, 1906. Design credited to Adolf Brand.

The subtitle is from an article (see below); Der Eigene, the world’s first homosexual periodical was devoted to an ideal of “masculine culture” which looked to Ancient Greece for a model of same-sex relationships. Adolf Brand (“Editor, photographer, poet, polemicist, activist, anarchist, enfant terrible“) founded Der Eigene in Berlin 1896, and to give some idea of how advanced the Germans were in these matters, consider that not only was this a year after Oscar Wilde had been imprisoned in Britain but that Brand’s publication was only the first of several journals advocating gay rights at a time when homosexual acts were still illegal in Germany. The radicalism fell short of including women, unfortunately; like many Grecophile pioneers of the time, Brand’s world had no place for females. All this activity was part of a peculiar ferment in Germany around 1900 which saw the rise of many small groups devoted to naturism, Theosophy, occultism in general, and various pagan revivals. There were also plenty of fiercely nationalist factions, of course, and these took a dim view of Brand’s outspoken homo-anarchism. When the nationalists later turned into the Nazis they destroyed Germany’s nascent gay culture.

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Morgendämmerung (Dawn) by Sascha Schneider, 1897. This drawing also appeared in Jugend magazine the same year.

The pictures here are from sets at Wikimedia Commons where the section devoted to the magazine has finally been amended with some higher-resolution copies. It’s a shame there isn’t more to see given that Der Eigene ran until 1932. I’ll be hoping for further works to come to light as the digitisation of rare publications gathers pace.

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Der Eigene, November, 1920.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Sanctuarium Artis Elisarion
Jugend Magazine revisited
The art of Sascha Schneider, 1870–1927
Hadrian and Greek love

Sanctuarium Artis Elisarion

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The Clear World of the Blessed Souls (detail).

Once again the web proves beneficial in showing you something you didn’t expect to find. The Sanctuarium Artis Elisarion was the grandiose name given by Elisar von Kupffer (1872–1942) aka Elisarion to his art-filled villa at Lake Maggiore which he shared with his partner Eduard von Mayer. Kupffer was an artist, writer, historian and another of those rare pioneering gay men who used their position and their work to proselytise for social tolerance of same-sex attraction.

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The Clear World of the Blessed Souls (detail).

Kupffer and Mayer’s Sanctuarium is documented at this site (Italian and German language only) with details of the artist’s paintings and the villa’s extraordinary mural, The Clear World of the Blessed Souls, which depicts a luscious homoerotic paradise. Also present are a few of the photos Kupffer used as a basis for his paintings (below). The mural title refers to Klarismus (Clarity), apparently the name of Kupffer and Mayer’s spiritual philosophy and a creed which evidently involves lots of naked boys. Where do I sign up?

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Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
The art of Sascha Schneider, 1870–1927
The art of Andrey Avinoff, 1884–1949