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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Two covers

patel1.jpg

More new work of mine has been unveiled in the past few days so I can show these here. The Buried Life and Cities and Thrones are a pair of fantasy novels by new author Carrie Patel being published by Angry Robot. I was asked to provide something in an engraved style set against a black background, with imagery that reflected themes of vast, underground architecture and armed conflict.

patel2.jpg

Vast architecture of any description is something I’ve always enjoyed, the main challenge with each book came in trying to imply the architecture and events without the pictorial content becoming incoherent. Marc at Angry Robot asked for something Piranesian where the architecture was concerned. Looking over Piranesi’s non-Carceri designs didn’t turn up anything with a suitably dramatic perspective, however, so most of what you see in the first cover comes from Giuseppe Galli Bibiena’s Architetture e Prospettive (1740). The Bibienas were a family of architects and theatrical engineers who specialised in dizzying perspective views for their stage designs; Bibiena’s book was produced to preserve some of his more celebrated designs, the originals of which are now lost. I’ve had a book of these drawings for years but this is the first opportunity I’ve had to make use of them in any kind of collage.

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This style of Baroque architecture doesn’t suit steampunk imagery which tends towards 19th-century urban/industrial; the plates are also rather staid scenes without the graphic flare that Piranesi gave to everything he rendered, real or imagined. But I do like those plunging perspectives, and pieces from two of the plates turned out to share both the same perspective and the same lighting direction. It’s easy to collage things into a flat view but creating a realistic sense of depth from bits and pieces can be tricky.

patel4.jpg

The frame for the second cover has more of a Piranesian quality being chipped and eroded. The typography for the titles went through several changes, the versions here show a late suggestion of mine with lettering that’s probably too thin to read well at a distance (or a small size on a web page). SF Signal has a post showing the Angry Robot versions which will probably be the final ones, together with a preview of the first book.

Previously on { feuilleton }
Aldous Huxley on Piranesi’s Prisons

 


 

Posted in {architecture}, {art}, {books}, {cities}, {design}, {fantasy}, {typography}, {work}.

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3 comments or trackbacks

  1. #1 posted by Clive Hicks-Jenkins

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    VERY handsome. I love these jewel-like images.

  2. #2 posted by herr doktor bimler

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    Giuseppe Galli Bibiena’s Architetture e Prospettive (1740)

    Dover brought out an edition, 30-odd years ago. Is that what you’re using?

  3. #3 posted by John

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    Clive: Thanks!

    herr doktor bimler: Yes, that’s the one. Mine was acquired circa 1990 after I’d bought up all the Piranesi books I could find.

 


 

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