Photography by Roy Blakey.
Carlos Schwabe’s Fleurs du Mal
La Déstruction.
More Symbolist femmes fatale, this time courtesy of Carlos Schwabe (1866–1926) and his illustrations for Baudelaire’s Fleurs du Mal from 1900. I’d had the site these pictures are from bookmarked for some time but hadn’t noticed that the version of Schwabe’s Spleen et Ideal illustration (below) was different to the one more commonly seen in books of Symbolist art. In fact the more common picture is about the only one of these illustrations that turns up at all in books. (It also appeared on a UK edition of Baudelaire’s poems, as I recall.) Schwabe is more usually represented by his mystically-inspired paintings and drawings, especially those he produced for the Salon de la Rose+Croix; on the strength of some of his Baudelairean pieces I’d say he’s a worthy companion to Félicien Rops.
Jagger vs Lennon
Jagger vs Lennon
| London’s riots of 1968 provided the backdrop to a rock’n’roll battle royale.
Empusa
The Empusae, we’re told, were daughters of Hecate in Greek mythology, sent to harass the unwary traveller on lonely roads, as if travellers on lonely roads didn’t have enough to worry about from human malefactors. The sinister femme fatale of mythology was a popular subject among fin de siècle artists which perhaps explains why Carl Schmidt-Helmbrechts (1871–1936) went to such trouble with this etching of one of the baleful demonesses.
There’s very little information about Schmidt-Helmbrechts on the web and little of his other work to be seen; this picture was scanned from High Art and Low Life: ‘The Studio’ and the fin de siècle (1993) and even there they don’t give a date for it although I’d guess it was a product of the 1890s. The description does say it was printed in olive, however, so I’ve taken the liberty of tinting their black and white version accordingly. I’ve no idea what the musical notes at the bottom left are for but I like the lettering design, there’s almost enough of it to develop into a font.
Update: I’ve since discovered that the print was made in 1894.
Elsewhere on { feuilleton }
• The etching and engraving archive
Previously on { feuilleton }
• The art of Philippe Wolfers, 1858–1929
• The Masks of Medusa
Post one thousand
Or the thousandth post, so here’s a capital M from the Gothic alphabet of Marie de Bourgogne, circa 1480. Taken from Fantastic Alphabets (L’Aventurine, Paris, 1995).