Fred Holland Day

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The Seven Words: “It is finished!” (1912).

Photographer and publisher Fred Holland Day (1864–1933) enjoyed the iconography of Easter enough to stage his own crucifixion tableau with friends, as well as producing a series of seven pictures based on Christ’s last words, of which the final poignant number is shown above. His 1898 crucifixion is homoerotic enough it might still cause a stir among today’s gay-hating cross-wavers if they saw it, and he had the audacity to play the part of Christ himself.

No surprise, then, that he also enjoyed photographing the unclothed bodies of young men which caused some controversy at the time. The examples of his pictures below display the same ritualistic qualities seen in some of Derek Jarman‘s films, especially the more formal compositions of The Angelic Conversation. I’ve never seen any acknowledgment of Day’s work from Jarman but, given that they both concerned themselves with Saint Sebastian, I’d be surprised if he wasn’t at least aware of these pictures.

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Suffering the Ideal (no date).

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The Budweiser Ganymede

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Budweiser advertising art, 1906.

Hard to believe that the self-styled King of Beers used to advertise itself using a gay episode from Classical mythology but here’s the evidence. Zeus falls in love with the beautiful youth and, in the form of an eagle, bears him away to Mount Olympus. In some depictions this event is called The Rape of Ganymede which suggests there was some other “mounting” taking place as a result; maybe the eagle had drunk one too many beers?

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Budweiser advertising art, 1892.

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The gay artists archive

Cocteau at the Louvre des Antiquaires

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Orphée aux points by Jean Cocteau (1950).

An exhibition of Cocteau drawings from the collection of
Dominique Bert opens today at the Louvre des Antiquaires, Paris.

Jean Cocteau (1899–1963): Collection privée de Dominique Bert
23rd March–22nd April 2007
Le Louvre des Antiquaires
2, Place du Palais Royal
75001 PARIS

Previously on { feuilleton }
Fantômas
La Villa Santo Sospir by Jean Cocteau