The birds and the bees (and the higher primates)

The Natural History Museum of Oslo University has opened an exhibition dedicated to homosexuality in the animal kingdom.

Today we know that homosexuality is a common and widespread phenomenon in the animal world. Not only short-lived sexual relationships, but even long-lasting partnerships; partnerships that may last a lifetime.

The exhibit puts on display a small selection among the more than 1500 species where homosexuality have been observed. This fascinating story of the animals’ secret life is told by means of models, photos, texts and specimens. The visitor will be confronted with all sorts of creatures from tiny insects to enormous spermwhales.

How can we know that an animal is homosexual? How can homosexual behaviour be consistent with what we have learned about evolution and Darwinism?

Sadly, most museums have no traditions for airing difficult, concealed, and possibly controversial questions. Homosexuality is certainly such a question. We feel confident that a greater understanding of how extensive and common this behaviour is among animals, will help to de-mystify homosexuality among people. At least, we hope to reject the all too well known argument that homosexual behaviour is a crime against nature.

Naturally (ahem), this has attracted the ire of the usual god-botherers who are happy to ignore inconvenient Scriptural declarations about loving your neighbour when sending the museum directors hate mail. Unfortunately for the bigots, evidence about homosexuality being very much a part of the natural world continues to mount (pardon the pun again…), as shown in an article in US science magazine, Seed, earlier this year. That won’t convince the American (and other) Talibans, of course, but then if it was up to them we’d still be burning witches and thinking that the sun orbited the earth.

Cronenberg curates Warhol

empire.jpg‘He created his own universe and became its star’

Director David Cronenberg explains the debt he owes to Andy Warhol’s bizarre and chillingly prophetic work

David Cronenberg
Monday September 11, 2006
The Guardian

EMPIRE IS THE CLASSIC. It was outrageous—yet somehow it worked. An eight-hour shot of the Empire State Building, it was high concept, not in the Hollywood sense, but the art sense. It’s got potency, resonance. Andy even said the Empire State Building was a star. It’s so New York, which was the centre of the artistic universe at the time, the 1960s. That’s why I decided to begin the Andy Warhol show I am curating with Empire.

I can’t recall when I first saw a Warhol. I feel as though he was always in my consciousness. I started making films at the same time he did, and the New York underground scene is what influenced me—and that was Andy. He didn’t think you needed access to anything to do what he was doing—just grab a camera, do your own thing, and it’ll work.

Preparing this exhibition, I was initially planning to ignore the films. It seemed too obvious to bring a film-maker in and for him to choose the films. But I didn’t have to dig deep to realise it would be a major oversight. Andy started the silk screens, the film-making and the Death and Disaster series at the same time. Everything influenced everything.

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