Pestival

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Mark Pilkington is organising this insect arts festival. Looks great, I’ll have to try and get down to see it. Nice that Phase IV, Saul Bass‘s strange and rather fascinating feature film, is one of the highlights.

27 May – 4 June 2006
London Wetland Centre

“If all mankind were to disappear, the world would regenerate back to the rich state of equilibrium that existed ten thousand years ago. If insects were to vanish, the environment would collapse into chaos.” E.O Wilson

The First International Arts Pestival is dedicated to raising awareness of the integral role insects play in the global ecosystem and in all animal societies. Many of those insects are increasingly endangered through human action.

Through appreciation of “insects in art and the art of being an insect”, the Pestival aims to create positive PR for this 400-million-year-old, highly evolved taxon that has had thousands of years of bad press.

We are building up a fantastic programme of talks, demonstrations, workshops, art installations, films, music and performance, fusing art and science to reach out to a broad, interested audience of homo sapien adults and children.

Bridget Nicholls & Mark Pilkington

On behalf of the International Arts Pestival
Patron: Zac Goldsmith

Download the Pestival Programme as a PDF (455k)

Download the Press Pack (3.7MB zip)

Chris Corsano

Chris Corsano

I’ve seen a lot of drummers performing with various bands over the years but Chris Corsano has to be the most extraordinary and most talented, putting the often third class art of percussion centre stage and giving it status as an artform in its own right.

Corsano is a young American currently resident in Manchester. I’ve had the opportunity to see him play live twice so far, first time in a thoroughly mundane upstairs room in a backstreet pub in a duet performance with a soprano sax player (whose name eludes me just now…sorry). This evening he was playing with Mick Flower from the Vibracathedral Orchestra (both have played as extra members of Sunburned Hand of the Man).

Corsano’s playing takes improvised drum work beyond the usual jazz-stylings of similar improv performers with displays of incredible virtuosity that can still keep a recognisable beat when required. But there’s more than just great stick work at play, he comes armed with a host of different drumsticks, brushes, kitchen knives and other implements, and also uses pot lids, Tibetan bowls and other metallic miscellanea to extend the range of sounds an ordinary drumkit can produce. A Corsano performance is exactly that, a performance, where seeing the way he creates the sounds (pushing elbow into a tom, throwing things onto the snare, juggling pot lids and sticks) is as compelling as hearing the sounds themselves. Mick Flower’s drones this evening, created on some unidentifiable tabletop instrument running through a variety of effects, were a great complement to the drum pyrotechnics. A marvellous act on an essential bill (with Jack Rose and Denis Jones) in a packed venue. More please.