The art of Jessie M King, 1875–1949

pomegranates.jpg

The Fisherman and His Soul : Her Feet were Naked
from A House of Pomegranates by Oscar Wilde, 1915.

A delicate piece of Orientalism illustrating Wilde’s book of fairy tales. Jessie Marion King’s work is a fascinating amalgam of the decorative post-Beardsley style exemplified by Harry Clarke and the Glasgow Style of Charles Rennie Mackintosh’s Arts and Crafts movement. It’s unfortunate that her associations with Mackintosh sometimes overshadow her career as an illustrator despite her being as talented and productive as many of her male contemporaries.

The rest of the Wilde illustrations can be seen at Art Passions along with a number of other works.

Jessie M King biography page

Elsewhere on { feuilleton }
The illustrators archive

Austin Spare in Glasgow

Austin Spare

Self-portrait by Austin Osman Spare (1907).

A late discovery but worth a mention, an Austin Spare exhibition that’s been running in Glasgow this month. From the press release:

An exhibition of 13 prints from this great artist and Occultist will run until 29th September 2007 at Mono, King’s Court, King Street Glasgow.

We have a diverse array of his styles to exhibit, and some of these have never been exhibited publicly before. We begin in 1921 with “The Magic Circle”, through his renowned “Ugly Ecstasy” drawings of 1924 (3 drawings & Grotesque), a demonic watercolour featuring a three headed demon?one of whose heads is Cthulhu, a postcard with drawing of his friend the bohemian writer Oswell Blakeston as Satyr and message about his art show on the reverse, “Self Portrait as Satyr” significantly signed ZOSAOS, a sidereal pastel entitled “Dire Awakening”, a watercolour which depicts a kind of celestial phallus endowing the receiver with “ecstasy” and a lambent woman, “Punch and Judy”, “The Return” and ending with “The Death Mask of Voltaire”—painted two years before the artist’s death, and being a meditation on death itself.

As our opening night of the exhibition show was so popular and created so much interest, we are thinking of having an end-of-exhibition get together to discuss Zos and the effect it’s had on people, so if Zos has inspired you, let me know or leave a message on our MySpace at myspace.com/23enigmashop and we’ll let you where and when.

We have produced a catalogue to mark this unique occasion in Scottish occulture and to honour the memory of AOS/ZOS. The catalogue is a folio containing a three page essay on Zos, specially written for us and kindly donated by Michael Staley. The 13 artworks from our exhibition have been expertly reproduced, and photographic quality prints made. These are all included in the catalogue, we also have a range of t-shirts, a set of 13 postcards of the prints from the exhibition and individual full scale prints for sale which are truly stunning.

Via Midian Books.

Previously on { feuilleton }
The Man We Want to Hang by Kenneth Anger
The art of Andrey Avinoff, 1884–1949
The art of Cameron, 1922–1995
Austin Osman Spare