The Running Jumping & Standing Still Film

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The Beatles’ second feature, Help!, was released on Blu-ray last month. The origin of the film’s visual humour and frenetic style can be found in this short directed by Richard Lester over two weekends in 1959, a collaboration between Lester, Spike Milligan, Peter Sellers and others. It may be nothing more than ten minutes of sight gags but it was enough for The Beatles to seek out Lester as director of their first two features. (Leo McKern, the actor in the opening shot, also appears in Help!) Considering the subsequent influence of those films—from The Monkees’ TV show on into numerous pop videos—this little film is very influential indeed. Watch it here.

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Alice in Wonderland by Jonathan Miller

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I said, “Girl, you drank a lot of Drink Me,
But you ain’t in a Wonderland
You know I might-a be there to greet you, child,
When your trippin’ ship touches sand.”

Donovan, The Trip (1966).

Most of the key texts of the psychedelic period tend to be either non-fiction—Huxley’s Doors of Perception, Leary’s Psychedelic Experience—or spiritual works such as The Tibetan Book of the Dead , the volume upon which Leary’s book is based and which subsequently provided John Lennon with lines for Tomorrow Never Knows. The key fictional work of the era has to be Lewis Carroll’s Alice in Wonderland, a fact that would no doubt have surprised the book’s legions of enthusiastic Victorian readers, never mind its author. Grace Slick created the definitive Alice song with White Rabbit in 1965, written while she was with the Great Society but only recorded properly in 1967 after she’d joined Jefferson Airplane. But Alice’s adventures run a rich seam of Victorian whimsy through the music of 1966 to ’69, especially among the British bands whose lyrics tend to be far more childish and frivolous than their American counterparts. Donovan probably got there first among the Brits with The Trip on his Sunshine Superman album. Among the profusion of later references can be found one-off singles such as Alice in Wonderland (1967) by the Dave Heenan Set (who recorded songs for the Barbarella soundtrack as The Glitterhouse) and Jabberwock/Which Dreamed It? (1968) by Boeing Duveen & The Beautiful Soup, a band whose songwriter is better known today as Hank Wangford.

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