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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for the ‘Keith Griffiths’ tag

 

Punch and Judy, Michel de Ghelderode, and the Brothers Quay

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The Quay Brothers’ first animated film, Nocturna Artificialia, was released in 1979. Prior to this there had been some short experiments but since these are always described as “lost” it’s doubtful that we’ll ever see them. The artistic success of Nocturna Artificialia prompted the Quays and producer-colleague Keith Griffiths to consider fresh outlets for their […]

Posted in {animation}, {art}, {film}, {music}, {television}, {theatre} | 2 comments »

 


Animation Magazine: The Brothers Quay

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Interviews with the Brothers Quay have been quite plentiful in recent years—some may be found on their DVD releases—but for the Quay enthusiast some are more notable than others. This half hour programme for French TV stood out for me for taking place inside the London studio where many of the Quays’ short films have […]

Posted in {animation}, {film}, {television} | 1 comment »

 


Heavy-Light, a film by Adam K. Beckett

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In the early 1990s the UK’s Channel 4 still operated as an avant-garde television channel, broadcasting films, dramas and documentaries that the other channels would be unlikely to show. Late nights were often filled out with resolutely uncommercial fare, as was the case when Abstract Cinema was shown in 1993, a 50-minute documentary by Keith […]

Posted in {abstract cinema}, {film}, {psychedelia}, {television} | 4 comments »

 


Secret Joy of Falling Angels, a film by Simon Pummell

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An animated film from 1991, Secret Joy of Falling Angels layers a variety of ink and paint effects, sketched outlines and a silhouetted bird skeleton. This creates a very different group of animated angels to those in Borowczyk’s Les Jeux des Anges and Bokanowski’s L’Ange although taken together all three films would make for a strange […]

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Lapis by James Whitney

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Lapis (1966). Proof of the conservative nature of cinema as an artistic medium can be found in the way its abstract practitioners don’t merit anything like the attention received by Piet Mondrian or Jackson Pollock. In cinema narrative is all, and it’s ironic that when artists such as Julian Schnabel or Robert Longo turn to […]

Posted in {abstract cinema}, {animation}, {art}, {film}, {technology} | 12 comments »

 


 



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