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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

LSD-25 by The Gamblers

lsd25.jpg

A post last year concerned some of the songs that have flaunted their acid credentials by incorporating the letters L-S-D in their titles, the most famous being (of course) Lucy In The Sky With Diamonds. While it might be an idea to follow that post by tracking down songs with the word LSD in their title, a quick glance at Discogs shows an entire blotting pad of potential candidates. So I’ll let someone else do the leg-work on that one.

This post is less ambitious, prompted by a brief history of surf music in Rob Chapman’s Psychedelia and Other Colours. The Gamblers receive a mention for being the first group to record a piece of music with LSD in the title: LSD-25 was the B-side of their first single, Moon Dawg!, released in 1960. Moon Dawg! has the distinction of also being one of the first (if not the first) surf singles, and was later covered by The Beach Boys on their debut album, Surfin’ Safari (1962). With its hyperactive drums and twanging guitar Moon Dawg! certainly sounds like a surf number, whereas LSD-25 is more like one of Link Wray’s smouldering instrumentals. I’d heard the A-side on a Cramps-related singles compilation, Loose Lips Might Sink Ships, but hadn’t heard LSD-25 before so this is a welcome discovery. Someone had to be first with the LSD reference (chosen at random by a studio engineer according to Chapman), and we could have done much worse than this.

The Gamblers only recorded one more single before disbanding but guitarist Eliot Ingber had a distinguished career playing with Frank Zappa’s Mothers of Invention, Little Feat, Captain Beefheart (as Winged Eel Fingerling), and (I didn’t know this) as a member of The Peter Peter Ivers Band (sic) on Terminal Love (1974). You may not know Ivers’ name but you’ll probably know his voice when it appears in David Lynch’s Eraserhead in the guise of the Lady in the Radiator singing In Heaven.

Previously on { feuilleton }
More trip texts
Trip texts
Acid albums
Acid covers
Lyrical Substance Deliberated
The Art of Tripping, a documentary by Storm Thorgerson
Enter the Void
In the Land of Retinal Delights
Haschisch Hallucinations by HE Gowers
The art of LSD
Hep cats

 


 

Posted in {books}, {drugs}, {music}, {psychedelia}.

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3 comments or trackbacks

  1. #1 posted by Andrew Hickey

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    They were actually a very, very odd group of people — as well as Ingber (who didn’t play with Little Feat, but did play with Fraternity Of Man, whose “Don’t Bogart Me” made the soundtrack of Easy Rider, and almost all of whom later joined Little Feat) there was also Larry Taylor (who played on many of the early Monkees sessions before joining Canned Heat and becoming Tom Waits’ main bass player) and Bruce Johnston (who later joined the Beach Boys and wrote I Write The Songs for Barry Manilow)

  2. #2 posted by John

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    It fascinates me when a small detail like this spirals out into other areas: earlier on I was thinking about the Dennis Hopper connection from Blue Velvet back to The Trip where Hopper is the acid dealer. Now there’s a connection to Easy Rider as well…

    Ingber, incidentally, plays on the live Little Feat album, Waiting For Columbus.

  3. #3 posted by Andrew Hickey

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    Sorry, I didn’t realise that — my knowledge of Little Feat doesn’t extend past the first few albums, and I assumed you’d been given wrong information by someone who conflated them with Fraternity.

 


 

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