{ feuilleton }

L’Oeil, comme un ballon bizarre se dirige vers l’infini from A Edgar Poe (1882).
Another decently thorough Symbolist website covers the life and work of Odilon Redon (1840–1916), an artist whose pastels and prints were strange even by the standards of his contemporaries. His giant eyeballs and other floating figures are always startling and point the [...]