The slow death of modernism

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“Soon to be picturesque ruins” was a slogan the Situationists used to enjoy posting on Parisian buildings but their rebuke to architectural hubris can be applied anywhere. St Peter’s College seminary building at Cardross near Glasgow was an example of post-Le Corbusier concrete construction which drew praise for its clean modernity in the 1960s. Today it brings only photographers and graffiti kids to its dereliction. Brian Dillon notes that the seminary

resembles nothing so much as the desolate and sentient “zone” in Andrei Tarkovsky’s 1979 film Stalker: a place where snow falls slowly upon vacant altars, where stagnant pools are so full of rot that they look horribly alive even at the edge of winter, where a startlingly tame robin will perch on your head as you step delicately over the rubble. (More.)

Yes indeed, and Flickr is full of striking examples like these. Someone ought to take advantage of what Dillon calls the seminary’s “futuristic rot” and use the place as a film set before the decay becomes too hazardous or the building is demolished altogether.

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Previously on { feuilleton }
The ruins of Detroit
Ephemeral architecture
The temples of Angkor
St Pancras in Spheroview
• The Stalker meme

Macho men

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An ad campaign which can’t possibly be ignored given the present train of obsessions. Andrés Ramírez photographs a collection of tight packages for underwear manufacturer, Macho. I’m not sure what a group of Roman gladiators would be doing sparring in what appears to be a Bollywood boudoir like the one in Moulin Rouge! but, ya know…underwear and swords… Consistency is the hobgoblin of fevered imaginations.

Via Queerty.

Elsewhere on { feuilleton }
The men with swords archive

Skull cameras

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Third Eye Camera.

Two camera artworks by Wayne Martin Belger, aka Boy of Blue.

Yama is made from Aluminium, Titanium, Copper, Brass, Bronze Steel, Silver, Gold, Mercury with 4 Sapphires, 3 Rubies (The one at Yama’s third eye was $5000.00), Asian and American Turquoise, Sand, Blood, and 9 Opals inlayed in the Skull. The film loading system is pneumatic. A 300psi air tank in the middle of the camera powers 2 pneumatic pistons to move the film holder forward and lock it into place. The switch to open and close the film chamber is located under the jaw.

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Yama (Tibetan Skull Camera).

Previously on { feuilleton }
The skull beneath the skin
Darwin Day
Vanitas paintings
Giant Skeleton and the Chocolate Jesus
Very Hungry God
History of the skull as symbol