Famous Fantastic Mysteries, June 1945. Illustration by Lawrence (Sterne Stevens).
Following last week’s revelation of Lovecraftian horror, I thought it might be worth demonstrating just how much the tentacle-menacing-a-ship scenario is owned by William Hope Hodgson. The Boats of the ‘Glen Carrig’ (1907) is one of Hodgson’s lesser novels, overshadowed by the cosmic horrors of The House on the Borderland and The Night Land, but it’s a memorable work all the same. The narrative fits into his cycle of Sargasso Sea stories: a small band of 18th-century sailors, survivors of the wreck of the ‘Glen Carrig’, drift across the Atlantic into the weed-strewn “cemetery of the oceans” where they have to fight off giant octopuses and the predations of “weed men”, humanoid creatures with tentacular hands. As will be seen below, it’s the attack on a wrecked ship trapped in the weed that many of the illustrators have chosen to focus on.
Illustration by Lawson Wood (1911).
This was something I hadn’t seen before: an illustration for a story with a scenario very similar to ‘Glen Carrig’ where the sailors journey under canvas in their lifeboats. Another tale of the sinister Sargasso:
This is the fifth message that I have sent abroad over the loathsome surface of this vast Weed-World, praying that it may come to the open sea ere the lifting power of my fire-balloon be gone, and yet, if it come there, how shall I be the better for it? Yet write I must, or go mad, and so I choose to write, though feeling as I write that no living creature, save it be some giant octopus that lives in the weed about me, will ever see the thing I write. (more)
Les Canots du “Glen Carrig” / La Maison au bord du monde / Les pirates fantômes (1971). Illustration by Philippe Druillet.