Beksinski at Mnémos

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More book covers. Mnémos is a French publisher of horror, fantasy and science fiction some of whose recent titles have their covers filled with paintings by the great Polish artist Zdzislaw Beksinski. The pairings of book and picture aren’t always ideal but I appreciate the impulse to choose art from other sources than genre artists. Omni magazine adopted a similar approach in its early issues, matching stories and science features with paintings by artists who are often grouped together as Fantastic Realists: Mati Klarwein, Ernst Fuchs, HR Giger, Bob Venosa, De Es Schwertberger and others. Beksinski’s work was less visible in the late 1970s than that of his contemporaries but one of his (always untitled) paintings did appear in a 1993 issue of the magazine.

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Of the Mnémos covers the one for the collection of Averoigne stories by Clark Ashton Smith is the most immediately fitting, Averoigne being an invented region of France that suits a painting of a Gothic cathedral turned fibrous and fungal. The painting for Zothique, on the other hand, could easily be used for HP Lovecraft’s At the Mountains of Madness, while the dog-like creature on the cover of the Frank Belknap Long collection is nothing like the author’s trans-dimensional hounds. Mnémos have given Lovecraft his own Beksinski covers in a seven-volume collection of translated fiction, Lovecraft, l’intégrale prestige, but there doesn’t seem to be a page anywhere that shows the individual books.

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What the artist would have made of all this attention may be gauged by comments like this one from The Fantastic Art of Beksinski (1998): “Meaning is meaningless to me. I do not care for symbolism, and I paint what I paint without meditating on a story.”

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For more about the anti-symbolist, see The Cursed Paintings of Zdzislaw Beksinski by Marek Kepa. (As before, my apology to Polish readers for the unaccented names. The blog coding only works with a limited range of accents.)

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