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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

The art of Juan de Valdés Leal, 1622–1690

leal1.jpg

In ictu oculi (1672).

Having castigated Somerset Maugham yesterday for a novel that even he professed to dislike, thanks can be offered for the passage in The Magician which draws attention to a painter I hadn’t come across before. With a scythe-wielding skeleton snuffing a candle flame, and a bishop rotting in his casket, these are a very Spanish take on the vanitas genre. Some of the subsequent works of Salvador Dalí and Luis Buñuel are less surprising when you see art that’s this grotesque.

leal2.jpg

Finis gloria mundi (1672).

Previously on { feuilleton }
Alfred Rethel’s Totentanz
The art of Jacopo Ligozzi, 1547–1627
Massachusetts memento mori
Skull cameras
Walmor Corrêa’s Memento Mori
The skull beneath the skin
Vanitas paintings
Very Hungry God
History of the skull as symbol

 


 

Posted in {art}, {painting}, {surrealism}.

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6 comments or trackbacks

  1. #1 posted by Gabriel McCann

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    God said to Abraham “KIll me a son,
    Abe said “Man you must be puttting me on…” – Robert Zimmerman

    http://www.friendsofart.net/en/art/juan-de-valdes-leal/the-sacrifice-of-isaac

    or do you prefer Caravaggio’s version? :

    http://en.wikipedia.org/wiki/Sacrifice_of_Isaac_(Caravaggio)

  2. #2 posted by John

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    Caravaggio almost always wins any comparison, especially when the chiaroscuro is as striking as it is in that first example.

  3. #3 posted by C. Rancio

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    In that great period of spanich painting, even lesser artists made astounding works.This is another vanitas from that time:

    http://commons.wikimedia.org/wiki/File:Pereda.jpg

  4. #4 posted by John

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    That’s a great painting as well, thanks.

  5. #5 posted by michelangelo

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    Catholic terror propaganda at its finest.

 


 

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