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A photograph attributed to William von Gloeden which borrows the Flandrin pose as the photographer did with greater precision in his picture entitled Cain, included in the first post in this series. If there’s scepticism about the origin it’s only that many photographs attributed to von Gloeden are by his cousin Wilhelm von Plueschow. Wikimedia Commons now has a gallery of von Gloeden’s quasi-Classical studies of the boys (and occasionally, girls) of Taormina, Sicily, and there’s another gallery devoted to von Plueschow which includes his own less faithful Flandrin imitation.

Elsewhere on { feuilleton }
• The recurrent pose archive

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