Unmistaken Hands: Ex Voto F.H., a film by the Brothers Quay

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More from the Quays, and one of their most recent animated films. Unmistaken Hands: Ex Voto F.H. is a 25-minute piece made in 2013 for a commission from the Wexner Center for the Arts at The Ohio State University. The film is subtitled Fragments and Motifs from the Writings of Felisberto Hernández, the “F.H.” of the title. Hernández was a Uruguayan writer whose fabulist fiction has been praised by Italo Calvino and Gabriel García Márquez, and as with the Quays’ films based on the work of Bruno Schulz and Robert Walser it probably helps to be acquainted with the source. In this case I’m not, although reading a description of Hernández’s Piano Stories—the only (?) collection in English—I ought to remedy that.

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The content may be South American but the Hernández’s fictional world is explored using the same accumulation of hints and allusions as in the films based on the work of European writers. The Quays’ recent shorts have favoured HD video and anamorphic distortion, and that’s the technique adopted here. I can’t fault their animation or their mise-en-scène but I keep hoping they might find a way to use video that has more of the grain and texture of their earlier films. I’m also hoping we might see these recent works gathered together in a disc collection in the near future. Unmistaken Hands: Ex Voto F.H. is a recent arrival at YouTube, and may not be there for long so watch it while you can.

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Animation Magazine: The Brothers Quay

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Interviews with the Brothers Quay have been quite plentiful in recent years—some may be found on their DVD releases—but for the Quay enthusiast some are more notable than others. This half hour programme for French TV stood out for me for taking place inside the London studio where many of the Quays’ short films have been made. The interview was conducted in 2002, and one of the brothers mentions that they may be leaving the premises soon; one of their exhibition catalogues has a recent photo of the studio so we can assume this wasn’t the case.

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Since this was made for an animation series the discussion is mainly about the brothers’ animation techniques. There’s also some barbed comment later on about the conservative state of British television. The UK’s Channel 4 was a great champion of animation in its early days, and the channel’s budget for short films helped finance many of the early films by the Quays and their producer Keith Griffiths. This was at a time when there were only four TV channels to choose from; today we have numerous channels but no room on any of them for unusual or experimental fare. Similar sentiments are voiced on the BFI’s recent collection of Alan Clarke films. Just as there’s no room for the Quays in the current climate, there’s no room either for the single dramas that directors like Clarke were making in the 1970s and 1980s.

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The Cabinet of Jan Švankmajer, a film by the Brothers Quay

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A busy week here (for a change) so this is a bit of a lazy choice but there is a Wunderkammer present. The Quays made this in 1984 for a Švankmajer documentary, and it’s still one of my favourites: Švankmajer as subject, lots of Prague references, and wonderful music (borrowed from Švankmajer’s own films) by Zdeněk Liška. This is also one of the few films you’ll see with animated characters demonstrating some film animation of their own. Watch it here.

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More Brothers Quay scarcities

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Look What the Cat Drug In (Long Way Down) (1992).

More short films by the Brothers Quay that haven’t yet appeared on their DVDs. Look What the Cat Drug In is a music video for Michael Penn that I was unable to find last time I did a YouTube trawl. It’s a good one.

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Dolls (1994).

A 30-second warning about the perils of AIDS, made for the Partnership for a Drug Free America. Watch for the bizarre detail of a puppet snorting coke. The Quays made a lot of commercials and idents during the 1990s but few of them surface.

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Black Soul Choir (1996).

A music video for 16 Horsepower featuring animated nails and pieces of chalk.

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Alice in Not So Wonderland (2008).

Another short warning—climate change this time—made for Live Earth. How much of the message makes it through the surrealism is debatable but it’s good to see the Quays’ take on Lewis Carroll.

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The Metamorphosis (2012).

Mikhaïl Rudy plays a piano piece by Leos Janácek (the subject of an earlier Quays film) while Gregor Samsa deals with his traumatic awakening. The previous scarcities post found a trailer for this piece which apparently runs for 33 minutes. The version linked here is only the first 5 minutes but it gives a better idea of the film as a whole.

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Eurydice…She, So Beloved, a film by the Brothers Quay

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Another recent short from the Quays that’s yet to be given a wider release, Eurydice…She, So Beloved (2007) is an opera/dance piece subtitled “Film ballet in homage to the 100th anniversary of Claudio Monteverdi’s Orfeo“. Orfeo (Simon Keenlyside) sings an aria while Hermes (Kenneth Tharp) rouses Eurydice (Zenaida Yanowsky) from her sleep in a suitably Stygian and rather industrial Underworld. Watch it here.

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