It’s safe to say that I wouldn’t have paid much attention to illustrations from a toy catalogue from 1880 if I hadn’t recognised the pictures from their fleeting appearance in Jan Švankmajer’s Jabberwocky (1971). One sequence in Švankmajer’s animated film has a battalion of toy soldiers emerging from the sleeves of a boy’s sailor suit. While the soldiers march around a table, a drawer opens and the wooden blocks within build themselves into a variety of architectural forms. Cut into this sequence are the pictures from Richter’s toy catalogues.
The latter have intrigued me ever since I spotted them in the film (the edits are typically brief) for their inadvertent Surrealism, a quality that may also have appealed to Švankmajer. Most catalogues devoted to toy blocks would display their potential constructions in a neutral space; Richter’s catalogue shows the block constructions as life-size architectural creations in otherwise realistic settings. The engraved renderings are rather fine as well, which adds to their strange atmosphere. There’s a definite Escher quality to some of the plates, in the shapes of the buildings—some of which resemble Escher’s famous fantasy constructions—and in the disparities of scale, a factor explored in this print.
The Internet Archive has two Richter catalogues here and here, both of which contain illustrations seen in Švankmajer’s film. Wikipedia has a short history of the blocks which notes that they also appear in Švankmajer’s Alice (1988).
Previously on { feuilleton }
• Jan Švankmajer, Director
• Don Juan, a film by Jan Švankmajer
• The Pendulum, the Pit and Hope
• Two sides of Liška
• The Torchbearer by Václav Švankmajer