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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Schloss Neuschwanstein

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This weekend’s film viewing was a DVD of Luchino Visconti’s Ludwig (1972), something I’ve seen in parts before but don’t recall ever having watched all the way through. I enjoyed it on the whole although Visconti’s “hose-piping” camera style and crash zooms are frequently annoying. Helmut Berger was very good as the tragic King of Bavaria and the subject was given additional interest by my reading earlier this year of a number of Philippe Jullian books. Ludwig II was camp enough to have interested Jullian whatever age he lived in but the way his life connects to the Symbolist period lends him a special significance. He can’t quite be described as a Symbolist monarch but his tireless support for Symbolist god Richard Wagner, and his lavish construction projects, made him a hero to Verlaine and others, who saw in the realisation of his fantasies the actions of an artist working on the grandest scale.

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Of all the palaces, Schloss Neuschwanstein at Hohenschwangau is easily the most spectacular, and Wikimedia Commons has a great selection of photos of which the two here are examples. The first picture is a 1900 photochrome print originally from the Library of Congress collection and the large version makes a great desktop picture. The helicopter view shows how the apparent isolation of the castle depends on where you place the camera. Visconti’s film makes use of all the King’s buildings although we never see a full exterior shot of Neuschwanstein possibly because the castle was unfinished at the time of Ludwig’s death in 1886. While he was alive Ludwig’s palaces were regarded as outrageous extravagances by a government dismayed by his patronage of Wagner, his scandalous homosexual behaviour, and his lack of interest in the nation’s political squabbles. Over a century later, Wagner’s music receives endless performances around the world while Schloss Neuschwanstein is the most popular tourist destination in Germany. Bavaria’s wars are long forgotten yet it was the King they declared to be “mad”. There’s a moral there.

The Neuschwanstein pool at Flickr

Previously on { feuilleton }
Temples for Future Religions by François Garas
Willy Pogány’s Lohengrin
Dallamano’s Dorian Gray

 


 

Posted in {architecture}, {film}, {gay}, {music}, {photography}, {symbolists}.

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4 comments or trackbacks

  1. #1 posted by decaphile

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    “On the steeples high
    , Where the swans still glide,” – Bavaria – Ostara

    The dreams of a mad king seem very resilient.

    Thankyou for this blog, it is continually interesting and informative.

  2. #2 posted by John

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    Hello and thanks. These posts are as informative for me as for anyone else, that’s always been one of the reasons for doing them.

  3. #3 posted by Thombeau

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    I’m just mad about Ludwig!

    Saw the film (on VHS tapes) several years ago, slow going but I enjoyed it all. Read an interesting bio a while back, too, but don’t recall the author. Even now I think about his weekend “retreats” at the palace, with only the most handsome soldiers and farmers…

    Anyway, great post, as always, John!

  4. #4 posted by John

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    The photography benefits from the DVD, needless to say. And I don’t mind slow films so long as there’s some interest present which there is with the lavish decor. I was disappointed that Luchino didn’t make more of the alleged orgies…

 


 

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