{ feuilleton }

left: Bent Fork (The Beginning of Hunger) (2007).
right: Strange Attractor IV: Zygomorph (2006).
“My core interest in making art lies in blurring the boundaries between art, science, literature and psychology,” says Laurie Hassold, and seeing that this is the week the monstrosities of Cloverfield are unleased upon America, it’s perhaps appropriate that some organic weirdness [...]