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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

The art of Robin Ironside, 1912–1965

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Rossetti’s Willow Wood (1944).

In one of those odd coincidences that occur from time to time, a picture by Robin Ironside is featured in a book I’ve been reading this week just as news arrives of a forthcoming talk about Ironside’s strange paintings. The book is Baroque Baroque by Stephen Calloway, while the talk is being given by the artist’s niece, Virginia Ironside, at the Viktor Wynd Museum of Curiosities, Fine Art & Natural History in London on April 21st. (Details here.)

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Secret burial (1954).

I have to admit that I’d not encountered Ironside’s work until now despite a long-term fetish for unusual or unfashionable art. This isn’t too surprising since he and his fellow Neo-Romantics (a term he coined) had the misfortune to be working during a period that was deeply antagonistic towards this kind of painting. Rex Whistler is the most popular exponent of the style but Ironside’s art has the added attraction of a vaguely Surrealist flavour without any of the absurdities that usually ruin English attempts to follow Dalí and company. The Ironside website has further examples of his paintings plus designs for the theatre and some illustration work. For those who can’t attend The Last Tuesday Society there’s a lengthy reminiscence by Virginia Ironside about her fascinating uncle.

 


 

Posted in {art}, {painting}, {surrealism}.

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2 comments or trackbacks

  1. #1 posted by herr doktor bimler

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    That Victor Wynd museum sounds wonderful. Why had no-one informed me of it earlier?

    “Secret Burial” reminds me of John Piper’s aesthetic (he also features in Baroque Baroque, if memory serves).

    I recall your concern from a few years ago that if you acquired “Baroque Baroque”, there would not be room in your bookcases:
    http://www.johncoulthart.com/feuilleton/2012/02/20/pleasure-of-ruins/#comment-334138

  2. #2 posted by John

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    I’d forgotten I said that but, yes, it’s still a problem. I managed to make some space recently by taking some redundant reference books to the charity shop but any space that’s available is quickly filled.

    One of my things was shown at the Viktor Wynd gallery a few years ago (and I ought to add that to my list of gallery appearances):

    http://www.johncoulthart.com/feuilleton/2009/12/22/strange-attractor-salon/

    Still not visited the place myself, however.

 


 

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