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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Miasmah in Manchester

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Out again to Trinity Church in Salford for an evening of musical performance from the Miasmah label. “Miasma” was a fitting word for this event since all three artists proved very adept at filling the humid air with great clouds of treated guitar chords, loops and electronic noise.

The aural miasms created by The Sight Below, aka Rafael Anton Irisarri and Simon Scott, reminded me of favourites Main whose Hz album I’d been playing earlier in the day. Main were among the first musicians in the 1990s to extend the sound of the electric guitar through samples and other processing, and everyone at the Trinity tonight was following a similar path, albeit with very distinctive, individual styles. The Sight Below add a pulse of heavy rhythm to their sheets of distortion. Svarte Greiner (Erik Skodvin of Deaf Center) meanwhile, played some great bowed Stratocaster then some even better squalls of Strat feedback. Very impressive all round and the combination of volume plus environment (old church carefully lit and perfumed by clouds of incense) showed again why these kind of intimate performances often trump their recorded equivalents; sometimes you just have to be there.

Previously on { feuilleton }
Deaf Center in Manchester
Machinefabriek in Manchester
Trinity rendezvous
Main

 


 

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