Twenty

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Numeral designs from 1904 by Reinier Willem Petrus de Vries.

Monsieur Chat, the tutelary deity of the place with the lower-case French name in affected curly brackets, makes a rare appearance with the news that { feuilleton } is 20 years old today. The blog (a term I’ve always used with reluctance) was launched on the 13th of February, 2006, self-described as “A journal…cataloguing interests, obsessions and passing enthusiasms.” The launch date was a random one, being the day that my new website went live, while the decision to start a blog was made not so much on a whim but out of a vague impulse that it might be something worth playing with for a while. Little did I realise… Since these anniversary posts usually involve some degree of stock-taking it’s worth noting how much the media landscape has changed over the past two decades.

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Monsieur Chat, for it is he. Graffiti by Thoma Vuille.

In February 2006 MySpace was the biggest social media site, with Facebook climbing fast behind it. YouTube was little more than a year old (and yet to be bought by Google), while the iPhone and the ensuing smartphone era was still a year away. A month after I pressed “Publish” on my first post a new social-media service named Twittr [sic] was launched to little fanfare; no need to recount how that turned out. All of these things contributed in some way to the eventual collapse of blogging as a widespread pursuit, social media in particular, which is another way of saying that I probably chose the wrong moment to embark on such a venture myself. Not that this has ever worried me. I’m cautious about anything that’s liable to eat into time that might be spent doing other things, and it took me a while to see that non-diaristic blogging was a worthwhile endeavour. It’s been a curious thing planting a flag on a hill then remaining there while the rest of the world chases after the latest outlet for their opinions and their pet photos. The micro-blogging format of social media killed the blogs because it co-opted the diaristic impulse behind many of the writing sites of the early 2000s. Social media also provided something that long-form blogs can’t give you: instant gratification, endlessly repeated.

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The oldest page at the Internet Archive is from May, 2006, although the header I was using at the time hasn’t been preserved. The Piranesi header has been pasted in from a later page.

The complaints about social media are all very familiar today (it’s a drug, it’s a form of mental poison, etc), and all true to some degree. Recent suggestions that we can improve the internet by a return to blogging strike me as unrealistic. This is an unusual form of activity, one best suited to writers (or to those who enjoy writing), to creative types rather than mere diarists, and to people who don’t suffer inordinately when they throw something into a public arena then receive little or no feedback as a result. Starting something like this today without being part of a connected community like Substack would require resilience to cope with the isolation. And yet… The blogging format still provides opportunities that can’t easily be satisfied elsewhere. Chief among these is long-form writing, so too the static nature of the blog post which resists the relentless churn of today’s internet. I still enjoy being able to set down a few thoughts on a niche subject then have those thoughts (or links or pictures or whatever) easily available online. And the thoughts don’t always have to be delivered in words; one of the attractions of the format was being able to post a list or group a collection of disparate items under a single heading with only a minimum of explanation. The weekend links do this while also serving as a searchable archive of bookmarks. And if you’re running the place the way I do then previous posts are still relatively easy to find, even if the post is a very old one.

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The closest you’ll get to a portrait of the author.

In the end, I do all this because I enjoy it, not because it’s another form of work or (perish the thought) “productivity”. Things I’ve enjoyed over the past 20 years would include making and reporting on new discoveries; the feedback from my consistently smart and informative readers; honing my writing skills, then being asked to write paid-for articles as a result. The latter was something I never expected at all. Most of all I value having a small space of my own on the internet, a not-so-temporary autonomous zone. I may be sceptical about a mass return to blogging but I prefer the options to remain open for people sick of the billionaires who regard them as another resource to be manipulated and exploited. Places like this may be regarded as anomalies or hangovers from an older era but the internet remains a malleable environment. The tools to create your own alternative to corporate control are still out there and freely available, all that’s required is the determination to use them.

My thanks, as always, to my readers, especially those who dropped some money in the Ko-fi jar. This site will always be paywall-free but every little helps. And so, as the bouncing cat might say, “En avant et vers le haut!”

John x

Leaving the Cafe

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A good café. Budapest, 1930.

I have a new shop portal page, a deliberately low-maintenance affair which links to Etsy (where a few problems still need addressing), Redbubble (a brand new account), and the page here for Skull Print T-shirts. All the former links to CafePress have been removed. I’d been wanting to move away from the unsatisfying CafePress service for some time but before doing this I needed to arrange suitable replacements. Last weekend I finally disentangled my website from CafePress, something that involved stripping links from more pages than I expected, after which I closed my account there.

I opened an account at CafePress in May 2001 so I must have been one of the first users of their print-on-demand service. This was always a sideline not a business, a convenience for people who wanted something of mine on a print or T-shirt without having to pay the costs demanded by high-end printers like the one I use for the Etsy prints. My earnings from this were minimal at best, usually $50 a year. The rare exception was when my Alice in Wonderland calendar received a mention at Boing Boing during the time when that site had a substantial readership. After a short-lived spike of interest things returned to the usual $50 a year but even this meagre sum began to decline when the pandemic hit in 2020, becoming so sporadic it became evident there was little reason to keep the account open at all.

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Beyond the meagre earnings there were others reasons for shutting things down. The front end of the site has always been dominated by the CafePress brand, while the back end, where sellers have to upload artwork and maintain their “shops”, never improved very much from its crudely designed beginnings, something I suspect was a legacy of CafePress having been one of the earliest successful print-on-demand outlets. After I’d got in the habit of putting together a new calendar each year they went and removed that product format, changing it to one that didn’t suit my work at all. And in later years they developed a bad habit of plastering your artwork on products you hadn’t approved of, so I’d find something of mine layered across a shower curtain, say, with no thought given (because none had been applied) as to whether the artwork or its ratio suited such a thing.

I’ve only been with Redbubble for just over a week so I’ve no idea whether I’ll earn anything from their service either but the seller process is a lot quicker and easier to set up than CafePress. As before, this is mainly for people who’d like a print of something at a reasonable price. I still have to add more designs so I’m open to requests. I used to have T-shirts available at CafePress but from now on I’ll only be doing these through Skull Print, a genuine small business who I’m happy to support. I’ll be adding more designs to the T-shirt page as well.

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In other consumer news, the Moon and Serpent Bumper Book of Magic is now on sale in the USA and Canada, with the UK edition being officially published tomorrow. Take a look if you see it in a shop somewhere, it’s a beautiful thing.

Back and forth


Another advantage of the recent WordPress upgrade means I can now do things like this. The photo is a Prague street scene that I found in a newspaper years ago which I decided to depopulate in Photoshop. In the past you could only do this with a special plugin but WordPress changed the user interface a while back from a basic write-text-and-add-media arrangement to a more complex editing system known as Gutenberg. The new editor uses CSS-style blocks which you fill with different types of “content” then shuffle around until you have a layout that you’re happy with. You can do a lot with these blocks but most of the tools that control them are hidden from view behind multiple menus and sub-menus; using the system means you first have to learn and memorise the location and function of all these hidden tools. Users of standalone installations of WordPress are a loyal bunch but there was a very negative reaction to the new editor, so much so that a plugin appeared almost immediately which reverts the interface to the former system. WordPress continues to evolve Gutenberg, however, and now provides a variety of media blocks like this picture-comparison thing. The utility is limited but it looks nice.

I’m in the anti-Gutenberg camp for the most part, especially when looking at the code that makes something like this possible. Most of the posts here are written outside WP as plain text with handwritten HTML tags; Gutenberg adds loads of new tags and instructions that clutter up the back end. I may work as a book designer but a print-style layout isn’t what I want to emulate for these pages. (And the Adobe applications I use don’t hide all their controls unless you really want them to.) Gutenberg is no doubt useful for people with big media websites using WordPress as a CMS to create layouts filled with articles, video and the like. But I’ll be sticking with the old system for now.

T-shirts again

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One of the many benefits of upgrading WordPress is that I’ve finally got a proper PayPal-oriented sales interface working on the T-shirts page. So when people click “Buy now” they get a pop-up range of options to select, plus a running total of the shirt cost, all in one place. I might have said “just in time for summer” but after last month’s heatwave the forecast here is for 16C tomorrow. Welcome to the North.

Also, I’m not bothering cross-posting this one to Twitter because bollocks to that place. Twitter killed WordPress auto-posting a while back, and since I’ve reinstalled WP it now doesn’t show image previews when I manually post them. There may be a solution to the latter issue but I really can’t be bothered finding it.

Update: Added a Summerisle shirt based on this design. Also new options for long sleeves and tie-dyes.

Previously on { feuilleton }
Getting shirty again
Getting shirty
More shirts
T-shirts by Skull Print

Maintenance 2

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“Ralph in his space flyer overhauls the Martian, Llysanorh. He will trap him with his Ultra-Generator.” A scene from Ralph 124C 41 + written by Hugo Gernsback.

Another public service announcement to say that the aforementioned server replacement has now taken place. In fact I’ve moved my site to a new webhost after service at the previous place had become increasingly poor. Most of today has been occupied with upgrading WordPress and installing the database on the new server. This is always a tricky business if you’re not used to the eccentricities of WordPress or moving databases around. I can do all this but, like Bartleby the Scrivener, I prefer not to. The effort was worth it, however, the software is now more future-proof than it was, and the site is finally https which may please some people. I still have to check web pages for missing images and the like so if you see anything that looks awry please leave a comment. Regular service will resume tomorrow.