As a piece of minimalist cinema, Fog Line (1970) makes Michael Snow’s Wavelength seem hyperactive. In a static 11-minute shot, trees and fields emerge from drifting fog; no sound or music, just the trees, a few suspended wires and the fog. Immerse yourself here.
Gottheim’s film reminded me of the photos I took in 2005 one damp and chilly November afternoon on the banks of the River Mersey. The river snakes through south Manchester on its way to Liverpool, and is a pleasant place to walk when the ground isn’t as sodden as it was on this occasion. There’s a few more photos from that session here.