More from the Polish animator, and a stunning, wordless adaptation of Dostoevsky’s novel. Crime and Punishment dates from 2000, and utilises the same technique as Dumala’s earlier films—images scratched into a plaster ground—only this time there’s a muted colour palette and considerable depth achieved through cast shadows and blurred objects layered over the drawings. Yuri Norstein achieved a similar sense of depth in Hedgehog in the Fog (1975) and Tale of Tales (1979), and Dumala’s film also shares the latter’s umber tones and sombre lighting. The story is pared to its bones, as it would be with a running time of 30 minutes, but it’s still a marvellous adaptation. There’s even a nod to Walls when an omnipresent fly disappears for a moment into a hole in the wallpaper.