{"id":9990,"date":"2011-09-16T01:58:00","date_gmt":"2011-09-16T00:58:00","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9990"},"modified":"2011-09-16T01:58:00","modified_gmt":"2011-09-16T00:58:00","slug":"the-paper-architecture-of-brodsky-and-utkin","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/09\/16\/the-paper-architecture-of-brodsky-and-utkin\/","title":{"rendered":"The paper architecture of Brodsky and Utkin"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/13964815@N00\/sets\/72157614490237062\/with\/3186219228\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/09\/brodskyutkin.jpg\" alt=\"brodskyutkin.jpg\" \/><\/a><\/p>\n<p><em>A Hill with a Hole.<\/em><\/p>\n<p>Searching around for Kafka images yesterday turned up a reminder of the etchings of Alexander Brodsky and Ilya Utkin, a pair of Russian &#8220;Paper Architects&#8221; who channelled their frustration with the intransigence of Soviet authorities in the 1980s into a series of remarkable drawings. As with much architectural fantasy, these are part unrealistic exaggeration and part serious proposal, with the viewer left to decide whether the world really needs a hill with a hole.<\/p>\n<p>Princeton Architectural Press published <a href=\"http:\/\/www.papress.com\/html\/book.details.page.tpl?isbn=9781568983998\" target=\"_blank\"><em>Brodsky &amp; Utkin: The Complete Works<\/em><\/a> by Lois Nesbitt in 2003 which is no doubt the source of the available scans. Of those, there&#8217;s a small Flickr collection <a href=\"http:\/\/www.flickr.com\/photos\/13964815@N00\/sets\/72157614490237062\/with\/3186219228\/\" target=\"_blank\">here<\/a>, while the late, lamented Nonist had a post about <a href=\"http:\/\/thenonist.com\/index.php\/weblog\/permalink\/the_paper_architecture_of_brodsky_utkin\" target=\"_blank\">the book<\/a> which repeats some of the same imagery. For more about Russia&#8217;s other paper architects see <a href=\"http:\/\/www.utopia.ru\/english\/\" target=\"_blank\">Russian Utopia<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\" target=\"_blank\">The etching and engraving archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/09\/13\/the-art-of-francois-schuiten\/\" target=\"_blank\">The art of Fran\u00e7ois Schuiten<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/30\/hugh-ferriss-and-the-metropolis-of-tomorrow\/\" target=\"_blank\">Hugh Ferriss and The Metropolis of Tomorrow<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Hill with a Hole. Searching around for Kafka images yesterday turned up a reminder of the etchings of Alexander Brodsky and Ilya Utkin, a pair of Russian &#8220;Paper Architects&#8221; who channelled their frustration with the intransigence of Soviet authorities in the 1980s into a series of remarkable drawings. As with much architectural fantasy, these &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/09\/16\/the-paper-architecture-of-brodsky-and-utkin\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The paper architecture of Brodsky and Utkin&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,21],"tags":[2887,710,398,2888,2889],"class_list":["post-9990","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-fantasy","tag-alexander-brodsky","tag-francois-schuiten","tag-hugh-ferriss","tag-ilya-utkin","tag-lois-nesbitt"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2B8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9990"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9990\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}