{"id":999,"date":"2006-11-02T23:48:41","date_gmt":"2006-11-02T22:48:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=999"},"modified":"2011-11-01T04:19:25","modified_gmt":"2011-11-01T04:19:25","slug":"the-man-who-saw-tomorrow","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/02\/the-man-who-saw-tomorrow\/","title":{"rendered":"The man who saw tomorrow"},"content":{"rendered":"<p><em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Quatermass_II\" target=\"_blank\"><img decoding=\"async\" id=\"image998\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2006\/11\/quatermass_2.jpg\" alt=\"quatermass_2.jpg\" align=\"left\" \/><\/a>Nigel Kneale created reality TV without realising it. Comedian Mark Gatiss recalls his turbulent relationship with the &#8216;TV colossus&#8217; who died this week.<\/em><\/p>\n<p>When <em>Big Brother<\/em> began on Channel 4 in 2000, I took a principled stand against it. &#8220;Don&#8217;t they know what they&#8217;re doing?&#8221; I screamed at the TV. &#8220;It&#8217;s <em>The Year of the Sex Olympics<\/em>! Nigel Kneale was right!&#8221;<\/p>\n<p>In 1968&#8217;s <a href=\"http:\/\/en.wikipedia.org\/wiki\/Year_of_the_Sex_Olympics\" target=\"_blank\"><em>The Year of the Sex Olympics<\/em><\/a>, Kneale, a pioneering writer of TV drama who died this week, ingeniously predicted the future of lowest-common-denominator TV. The programme kept a slavering audience pacified with such blackly funny concepts as <em>The Hungry\/Angry Show<\/em> (in which senile old men throw food at one another), the titular Olympics, and the ultimate programme, in which a family are marooned on an island and then watched on camera, 24 hours a day. Yesterday&#8217;s satire is today&#8217;s reality. Or today&#8217;s reality TV.<\/p>\n<p>A few years ago I tried to persuade <em>The South Bank Show<\/em> to devote an edition to Kneale, only to be told he wasn&#8217;t a &#8220;big enough figure&#8221;. This was doubly dispiriting, not only because, to anyone interested in TV drama, Kneale is a colossus, but because it seemed to confirm all the writer&#8217;s gloomy predictions regarding the future of broadcasting. Couldn&#8217;t the medium celebrate one of its giants?<\/p>\n<p><em>Continued <a href=\"http:\/\/arts.guardian.co.uk\/features\/story\/0,,1937220,00.html\" target=\"_blank\">here<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nigel Kneale created reality TV without realising it. Comedian Mark Gatiss recalls his turbulent relationship with the &#8216;TV colossus&#8217; who died this week. When Big Brother began on Channel 4 in 2000, I took a principled stand against it. &#8220;Don&#8217;t they know what they&#8217;re doing?&#8221; I screamed at the TV. &#8220;It&#8217;s The Year of the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/02\/the-man-who-saw-tomorrow\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The man who saw tomorrow&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,22,20,19],"tags":[2720,3047,263,167,3048,8911],"class_list":["post-999","post","type-post","status-publish","format-standard","hentry","category-film","category-horror","category-science-fiction","category-television","tag-dennis-potter","tag-mark-gatiss","tag-nigel-kneale","tag-obituaries","tag-quatermass","tag-the-south-bank-show"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-g7","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=999"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/999\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}