![\"johnnyyesno.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/09\/johnnyyesno.jpg\")
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Johnny YesNo video cover, 1983. Design by Neville Brody.<\/em><\/p>\n Being a Cabaret Voltaire enthusiast of long standing it was good to hear last week about the imminent reappearance of Johnny YesNo<\/em>, an hour-long film by Peter Care for which the Cabs provided the soundtrack. Mute Records will be releasing Care’s debut on DVD in a set which includes two versions of the film together with two music CDs. I never got to see the original release on CV’s VHS label, Doublevision<\/a>; for most of the 1980s I didn’t even have a colour TV never mind a video recorder so I missed all CV’s videocassettes aside from Gasoline In Your Eye<\/em>. The new edition will be available in November. Brainwashed<\/a> has a list of the contents while The Quietus posted a clip<\/a> from the new “redux” version. (And before anyone tells me it’s on YouTube…yeah, everything is on YT in shitty quality and barnacled with the misanthropy-inducing drivel which passes there for comment. If I’m going to watch something for the first time I’d prefer it to be on a shiny disc, thanks.)<\/p>\n \u2022 The world has noticed Terrence Malick again following the release of The Tree of Life<\/em>. Malick’s second feature is returning briefly to UK cinema screens, an event which prompted David Thomson to ask Is Days of Heaven<\/em> the most beautiful film ever made?<\/a><\/p>\n \u2022 This week in imaginative art: S. Elizabeth on The Fantastical Fairy Tale Art of Sveta Dorosheva<\/a>, AS Byatt on the strange paintings of Richard Dadd<\/a> (there’s another Dadd article here<\/a>), and Rick Poynor on Chris Foss and the Technological Sublime<\/a>.<\/p>\n \u2022 Ethan Hein<\/a> demonstrates how Alan Lomax came to have copyright control over many songs he had nothing to do with simply by recording traditional music.<\/p>\n \u2022 Visual Vitriol:\u00a0 The Street Art and Subcultures of the Punk and Hardcore Generation<\/em><\/a>, a book by David Ensminger.<\/p>\n \u2022 More Club Silencio: Inside David Lynch’s Paris nightclub<\/a> and a gallery of photos<\/a>.<\/p>\n \u2022 Histoire un-Naturelle<\/a>, selected works by Ruth Marten.<\/p>\n \u2022 Come hither: The deceptive beauty of orchids<\/a>.<\/p>\n \u2022 Facsimile Dust Jackets<\/a>.<\/p>\n \u2022 More Peter Care: Just Fascination<\/em><\/a> (1983) by Cabaret Voltaire | Sensoria<\/em><\/a> (1984) by Cabaret Voltaire | Rise<\/em><\/a> (1986) by Public Image Ltd.<\/p>\n","protected":false},"excerpt":{"rendered":" Johnny YesNo video cover, 1983. Design by Neville Brody. Being a Cabaret Voltaire enthusiast of long standing it was good to hear last week about the imminent reappearance of Johnny YesNo, an hour-long film by Peter Care for which the Cabs provided the soundtrack. Mute Records will be releasing Care’s debut on DVD in a … Continue reading “Weekend links 74”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,42,4,7,3,12,20,13],"tags":[2837,1031,150,721,2838,265,486,2836,3386,149,2835,2840,113,1463,2839,1852,2748,866,2439],"class_list":["post-9885","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-film","category-music","category-photography","category-science-fiction","category-science","tag-alan-lomax","tag-as-byatt","tag-cabaret-voltaire","tag-chris-foss","tag-david-ensminger","tag-david-lynch","tag-david-thomson","tag-ethan-hein","tag-mute-records","tag-neville-brody","tag-peter-care","tag-public-image-ltd","tag-richard-dadd","tag-rick-poynor","tag-ruth-marten","tag-s-elizabeth","tag-sveta-dorosheva","tag-terrence-malick","tag-the-quietus"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2zr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9885"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9885\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}