{"id":9805,"date":"2011-08-14T01:45:29","date_gmt":"2011-08-14T00:45:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9805"},"modified":"2013-02-03T03:58:27","modified_gmt":"2013-02-03T03:58:27","slug":"weekend-links-71","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/08\/14\/weekend-links-71\/","title":{"rendered":"Weekend links 71"},"content":{"rendered":"

\"orazi.jpg\"<\/a><\/p>\n

Manuel Orazi (1860\u20131934) was one of the best of the many Mucha imitators. An untitled & undated posting at Indigo Asmodel<\/a>.<\/em><\/p>\n

The mob now appeared to consider themselves as superior to all authority; they declared their resolution to burn all the remaining public prisons, and demolish the Bank, the Temple, Gray’s Inn, Lincoln’s Inn, the Mansion House, the Royal palaces, and the arsenal at Woolwich. The attempt upon the Bank of England was actually made twice in the course of one day; but both attacks were but feebly conducted and the rioters easily repulsed, several of them falling by the fire of the military, and many others being severely wounded.<\/p>\n

To form an adequate idea of the distress of the inhabitants in every part of the City would be impossible. Six-and-thirty fires were to be seen blazing in the metropolis during the night.<\/p>\n

An Account of the Riots in London in 1780<\/a>, from The Newgate Calendar.<\/em><\/p><\/blockquote>\n

In a week of apparently limitless bloviation, a few comments stood out. Hari Kunzru<\/a>: “Once, a powerful woman told us there was no such thing as society and set about engineering our country to fit her theory. Well, she got her way. This is where we live now, and if we don’t like it, we ought to make a change.” Howard Jacobson<\/a>: “One medium-sized banker’s bonus would probably pay for all the trash that’s been looted this past week.” Meanwhile Boff Whalley<\/a> complained about the predictable misuse of the word “anarchy” by lazy journalists.<\/p>\n

\u2022 For further historical perspective, a list of rioters and arsonists from The Newgate Calendar<\/em><\/a> (1824), and an account of the looting in London during the Blitz<\/a>.<\/p>\n

\"svanberg.jpg\"<\/p>\n

From a selection of works by Max Walter Svanberg (1912\u20131994) at But Does It Float<\/a>. There’s more at Cardboard Cutout Sundown<\/a>. <\/em><\/p>\n

\u2022 NASA posted a gorgeous photo<\/a> from the surface of the planet Mars. Related: Astronomers have discovered the darkest known exoplanet<\/a>. Obliquely related: Julio Cort\u00e1zar’s From the Observatory<\/em><\/a>, a prose poem inspired by the astronomical observatories at Jaipur and New Delhi, India, receives its first English translation.<\/p>\n

\u2022 The Advisory Circle<\/a> is still in a Kosmische groove. Not Kosmische at all, Haxan Cloak’s mix for FACT<\/a> has Wolf Eyes, Sunn O))) and Krzysztof Penderecki competing to shatter your nerves.<\/p>\n

\u2022 The wonderful women (and friends) at Coilhouse<\/em><\/a> magazine are having a Black, White and Red fundraising party in Brooklyn, NYC, on August 21st. Details here<\/a>.<\/p>\n

\u2022 Sodom\u2019s ambassador to Paris: the flamboyant Jean Lorrain<\/a> is profiled at Strange Flowers.<\/p>\n

\u2022 Empire de la Mort<\/a>: Photographs of charnel houses and ossuaries by Paul Koudounaris.<\/p>\n

\u2022 The Craft of Verse by Jorge Luis Borges<\/a>: The Norton Lectures, 1967\u201368.<\/p>\n

\u2022 Jesse Bering examines The Contorted History of Autofellatio<\/a>.<\/p>\n

\u2022 Robert Crumb<\/a> explains why he won’t be visiting Australia.<\/p>\n

\u2022 The Crackdown<\/em><\/a> (1983) by Cabaret Voltaire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Manuel Orazi (1860\u20131934) was one of the best of the many Mucha imitators. An untitled & undated posting at Indigo Asmodel. The mob now appeared to consider themselves as superior to all authority; they declared their resolution to burn all the remaining public prisons, and demolish the Bank, the Temple, Gray’s Inn, Lincoln’s Inn, the … Continue reading “Weekend links 71”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,58,2,42,27,9,4,5,3,44,12,14,13],"tags":[2798,150,2125,1292,2225,2379,157,1802,1483,2679,1638,1208,2799,569,2802,2803,2419,2147,1253,2800,2801],"class_list":["post-9805","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art-nouveau","category-art","category-books","category-borges","category-comics","category-design","category-gay","category-music","category-painting","category-photography","category-politics","category-science","tag-boff-whalley","tag-cabaret-voltaire","tag-cardboard-cutout-sundown","tag-coilhouse","tag-hari-kunzru","tag-howard-jacobson","tag-jean-lorrain","tag-jesse-bering","tag-jorge-luis-borges","tag-julio-cortazar","tag-krzysztof-penderecki","tag-manuel-orazi","tag-max-walter-svanberg","tag-nasa","tag-paul-koudounaris","tag-robert-crumb","tag-strange-flowers","tag-sunn-o","tag-the-advisory-circle","tag-the-haxan-cloak","tag-wolf-eyes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2y9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9805"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9805\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}