{"id":9703,"date":"2011-07-20T02:22:24","date_gmt":"2011-07-20T01:22:24","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9703"},"modified":"2011-07-20T02:22:24","modified_gmt":"2011-07-20T01:22:24","slug":"jean-philippe-guillemains-dancers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/07\/20\/jean-philippe-guillemains-dancers\/","title":{"rendered":"Jean-Philippe Guillemain’s dancers"},"content":{"rendered":"

\"guillemain1.jpg\"<\/a><\/p>\n

Mathieu by Jean-Philippe Guillemain.<\/em><\/p>\n

A collection of male dancers pose beside the usual complement of agency models in the portfolio of French photographer Jean-Philippe Guillemain. Are all European dancers this attractive or does he just have a good eye? See the others on his site<\/a>.<\/p>\n

Previously on { feuilleton }
\n\u2022 Danseur Noble<\/a>
\n\u2022 The tights have it<\/a>
\n\u2022 Torero<\/a>
\n\u2022 Eonism and Eonnagata<\/a>
\n\u2022 Tiger Lily<\/a>
\n\u2022 Chris Nash<\/a>
\n\u2022 Peter Reed and Salom\u00e9 After Dark<\/a>
\n\u2022 Felix D\u2019Eon<\/a>
\n\u2022 Dancers by John Andresen<\/a>
\n\u2022 Youssef Nabil<\/a>
\n\u2022 Images of Nijinsky<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Mathieu by Jean-Philippe Guillemain. A collection of male dancers pose beside the usual complement of agency models in the portfolio of French photographer Jean-Philippe Guillemain. Are all European dancers this attractive or does he just have a good eye? See the others on his site. Previously on { feuilleton } \u2022 Danseur Noble \u2022 The … Continue reading “Jean-Philippe Guillemain’s dancers”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[56,36,5,12],"tags":[2746,696,1270,123],"class_list":["post-9703","post","type-post","status-publish","format-standard","hentry","category-dance","category-eye-candy","category-gay","category-photography","tag-jean-philippe-guillemain","tag-nijinsky","tag-peter-reed","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2wv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9703"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9703\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}