{"id":9628,"date":"2011-07-03T02:18:09","date_gmt":"2011-07-03T01:18:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9628"},"modified":"2013-02-03T03:59:35","modified_gmt":"2013-02-03T03:59:35","slug":"weekend-links-65","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/07\/03\/weekend-links-65\/","title":{"rendered":"Weekend links 65"},"content":{"rendered":"

\"plakhova.jpg\"<\/a><\/p>\n

From Light Beyond Sound<\/a>, a new series of works by Tatiana Plakhova<\/a>.<\/em><\/p>\n

“The invasion philosophy of the Olympic Park strikes me as just like the invasion philosophy behind going into Iraq,” he says, “or anywhere else that you blast into, put up the fence, establish the Green Zone, explain everything, put it all into this lovely eco-terminology…” Iain Sinclair<\/em><\/p><\/blockquote>\n

\u2022 Iain Sinclair has a new book out, Ghost Milk: Calling Time on the Grand Project<\/em><\/a>, a critique of the tendency of British governments to waste money on white elephant projects. He’s visited this territory before in Sorry Meniscus<\/em><\/a>, the small book\/essay about the Millennium Dome. That book grew out of a piece for the London Review of Books<\/em> which can be read here<\/a>. Among the current round of interviews there’s this piece<\/a> in which the title of the book is explained, and a talk with John Walsh at The Independent<\/em><\/a> where he describes how the site for the 2012 Olympics has destroyed his patch of London.<\/p>\n

\u2022 A celebration of the writing and art of Mervyn Peake<\/a>: “Mervyn Peake, creator of Gormenghast, is now recognised as a brilliant novelist and artist. Michael Moorcock, China Mi\u00e9ville, Hilary Spurling and AL Kennedy celebrate his achievements.”<\/p>\n

\u2022 Looking like a children’s book invaded by the inhabitants of alchemical engravings, Die Geburtstagsreise<\/em><\/a> (The Birthday Trip<\/em>, 1976) by Monika Beisner.<\/p>\n

\u2022 At AnOther mag this week: The ear in Blue Velvet<\/em><\/a> and publisher Peter Owen<\/a> on Salvador Dal\u00ed’s novel Hidden Faces<\/em>.<\/p>\n

\u2022 Four Days, Four Recordings<\/a> by Jon Brooks aka The Advisory Circle. Related: The Hauntological Society<\/a>.<\/p>\n

\u2022 Leaving it to Chance: maverick director Nicolas Roeg on Don’t Look Now<\/em><\/a>.<\/p>\n

\u2022 Brian Eno<\/a>: “This is my problem with Tracey Emin; who fucking cares?”<\/p>\n

\u2022 Scans of Max Ernst’s masterwork Une Semaine de Bont\u00e9<\/em><\/a>.<\/p>\n

\u2022 Susie Bright: Mapping the Erotic and the Revolutionary<\/a>.<\/p>\n

\u2022 How to Become a Sensuous Witch<\/em><\/a>, 1971.<\/p>\n

\u2022 The View From Her Room<\/em><\/a> (1982) by Weekend | Weekend live on the OGWT<\/a> (October, 1982) \u2022 Gormenghast Drift<\/em><\/a> (1992) by Irmin Schmidt.<\/p>\n","protected":false},"excerpt":{"rendered":"

From Light Beyond Sound, a new series of works by Tatiana Plakhova. “The invasion philosophy of the Olympic Park strikes me as just like the invasion philosophy behind going into Iraq,” he says, “or anywhere else that you blast into, put up the fence, establish the Green Zone, explain everything, put it all into this … Continue reading “Weekend links 65”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,21,7,48,3,16,18],"tags":[2694,145,1032,265,4687,2693,218,2697,658,1017,112,79,65,2695,306,2696,87,1109,1382,1253,2698],"class_list":["post-9628","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-fantasy","category-film","category-illustrators","category-music","category-occult","category-surrealism","tag-al-kennedy","tag-brian-eno","tag-china-mieville","tag-david-lynch","tag-gormenghast","tag-hilary-spurling","tag-iain-sinclair","tag-irmin-schmidt","tag-john-walsh","tag-jon-brooks","tag-max-ernst","tag-mervyn-peake","tag-michael-moorcock","tag-monika-beisner","tag-nicolas-roeg","tag-peter-owen","tag-salvador-dali","tag-susie-bright","tag-tatiana-plakhova","tag-the-advisory-circle","tag-weekend-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2vi","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9628"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9628\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}