{"id":9612,"date":"2011-06-28T02:51:36","date_gmt":"2011-06-28T01:51:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9612"},"modified":"2011-06-28T02:54:36","modified_gmt":"2011-06-28T01:54:36","slug":"muto-the-exterface-manifesto","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/06\/28\/muto-the-exterface-manifesto\/","title":{"rendered":"Muto: The Exterface Manifesto"},"content":{"rendered":"

\"muto1.jpg\"<\/a><\/p>\n

In which French photographers Exterface<\/a> extend their particular brand of erotic styling into the world of online publications. Muto<\/em><\/a> is a typically high-quality production (requires registration with Issuu), the theme this time being the hothouse of the 1970s when the word “clone<\/a>” was as much associated with gay bars as with the products of science fiction. What was once a visual clich\u00e9 now seems fresh (and hot!) amid the clich\u00e9s (twinks and bears) which took its place. With retromania<\/a> one of the buzzwords du jour<\/em> there’s no reason why erotic photography shouldn’t get in on the act, is there?<\/p>\n

Via Homotography<\/a>.<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The gay artists archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Let\u2019s get physical: Bruce of Los Angeles and Tom of Finland<\/a>
\n\u2022 Exterface<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

In which French photographers Exterface extend their particular brand of erotic styling into the world of online publications. Muto is a typically high-quality production (requires registration with Issuu), the theme this time being the hothouse of the 1970s when the word “clone” was as much associated with gay bars as with the products of science … Continue reading “Muto: The Exterface Manifesto”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[36,5,12],"tags":[425,1580,2194],"class_list":["post-9612","post","type-post","status-publish","format-standard","hentry","category-eye-candy","category-gay","category-photography","tag-exterface","tag-homotography","tag-tom-of-finland"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2v2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9612"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9612\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}