{"id":9478,"date":"2011-06-04T02:45:31","date_gmt":"2011-06-04T01:45:31","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9478"},"modified":"2025-09-20T19:32:21","modified_gmt":"2025-09-20T18:32:21","slug":"miwa-yanagis-fairy-tales","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/06\/04\/miwa-yanagis-fairy-tales\/","title":{"rendered":"Miwa Yanagi&#8217;s fairy tales"},"content":{"rendered":"<p><a href=\"http:\/\/www.yanagimiwa.net\/e\/fairy\/index.html\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/06\/yanagi.jpg\" alt=\"yanagi.jpg\" \/><\/a><\/p>\n<p><em>Rapunzel (2004).<\/em><\/p>\n<p>Emphasising the &#8220;grim&#8221; in the Brothers Grimm is what Japanese artist Miwa Yanagi achieves with <a href=\"http:\/\/www.yanagimiwa.net\/e\/fairy\/index.html\" target=\"_blank\" rel=\"noopener\"><em>Fairy Tale<\/em><\/a>, a series of staged photos. It&#8217;s a familiar approach, of course, mining childhood for a darker subtext, and the effect is reminiscent in places of earlier explorers of this disturbing territory such as David Lynch and Jan \u0160vankmajer. But Yanagi adds some twists of her own, not least the alarming figures of young girls masked to resemble old women. Despite being based on tales from the West, there&#8217;s a distinctly Eastern flavour to some of these scenes: in <em>Rapunzel<\/em> the usual golden locks have become a black torrent which can&#8217;t help but seem sinister when one recalls the legacy of supernatural hair in ghost stories like <a href=\"http:\/\/en.wikipedia.org\/wiki\/Yotsuya_Kaidan\" target=\"_blank\" rel=\"noopener\"><em>Yotsuya Kaidan<\/em><\/a>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/06\/fairytale.jpg\" alt=\"fairytale.jpg\" \/><\/p>\n<p>There&#8217;s a <a href=\"http:\/\/www.amazon.co.jp\/Fairly-Tale-?????-???-??\/dp\/4861520983\/\" target=\"_blank\" rel=\"noopener\">catalogue of these works<\/a> available although the text may well be Japanese-only. And speaking of \u0160vankmajer, it&#8217;s worth noting again that <em>Alice<\/em> is <a href=\"http:\/\/filmstore.bfi.org.uk\/acatalog\/info_19517.html\" target=\"_blank\" rel=\"noopener\">now available on DVD<\/a>. David Moats enthuses about the film <a href=\"http:\/\/thequietus.com\/articles\/06368-close-your-eyes-or-you-won-t-see-anything-jan-svankmajer-s-alice-in-wonderland\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>Thanks to Gabriel for the Yanagi tip!<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/12\/02\/kwaidan\/\">Kwaidan<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/08\/09\/the-art-of-maleonn-ma\/\">The art of Maleonn Ma<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rapunzel (2004). Emphasising the &#8220;grim&#8221; in the Brothers Grimm is what Japanese artist Miwa Yanagi achieves with Fairy Tale, a series of staged photos. It&#8217;s a familiar approach, of course, mining childhood for a darker subtext, and the effect is reminiscent in places of earlier explorers of this disturbing territory such as David Lynch and &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/06\/04\/miwa-yanagis-fairy-tales\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Miwa Yanagi&#8217;s fairy tales&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,21,22,12],"tags":[1602,265,2606,375,2605],"class_list":["post-9478","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-fantasy","category-horror","category-photography","tag-brothers-grimm","tag-david-lynch","tag-david-moats","tag-jan-svankmajer","tag-miwa-yanagi"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2sS","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9478"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9478\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}