{"id":9459,"date":"2011-05-29T01:53:08","date_gmt":"2011-05-29T00:53:08","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9459"},"modified":"2013-02-03T04:00:14","modified_gmt":"2013-02-03T04:00:14","slug":"weekend-links-60","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/05\/29\/weekend-links-60\/","title":{"rendered":"Weekend links 60"},"content":{"rendered":"

\"fini1.jpg\"<\/p>\n

Jean Genet (1950) by Leonor Fini.<\/em><\/p>\n

\u2022 Biblioth\u00e8que Gay looks at a series of erotic engravings made by Leonor Fini<\/a> for La Gal\u00e8re<\/em> (1947) by Jean Genet. The author reciprocated with Mademoiselle: A Letter to Leonor Fini<\/em>. At the hetero end of the erotic spectrum, Tate Liverpool will be showing a series of drawings by Ren\u00e9 Magritte<\/a> produced for a proposed edition of Madame Eduarda<\/em> by Georges Bataille. Ren\u00e9 Magritte: The Pleasure Principle<\/em><\/a> opens next month.<\/p>\n

\u2022 George Clinton<\/a> will be appearing with Nona Hendryx at the British Library on 18th June, to talk about “all things galactic”. In addition there’s a screening of John Akomfrah’s The Last Angel of History<\/em>, a documentary about Afrofuturism and black science fiction. See an introduction to that here<\/a>. Related: the Smithsonian\u2019s National Museum of African American History and Culture has acquired the Parliament-Funkadelic Mothership<\/a> for its collection.<\/p>\n

\u2022 RIP Gil Scott-Heron<\/a>. “Why does this colossus remain relatively unknown? Is he too political? Too uncompromising? Too angry? Too satirical? Too painful? Too playful? Too alive? Too black? Too human?” Jamie Byng in Gil Scott-Heron: poet, campaigner and America’s rough healer<\/a>.<\/p>\n

\"fini2.jpg\"<\/p>\n

Le Fils du Ma\u00e7on (1950) by Leonor Fini.<\/em><\/p>\n

\u2022 China Mi\u00e9ville<\/a> examines alternative histories in Brian Aldiss’s The Malacia Tapestry<\/em>, David Britton’s Lord Horror<\/em> and Richard Curtis’s chilling dystopia, Notting Hill<\/em>.<\/p>\n

\u2022 What happened to Rolf-Ulrich Kaiser<\/a> and Gille Lettmann when the Kosmische Musik dream collapsed? Find out here<\/a>.<\/p>\n

\u2022\u00a0Mlle Ghoul<\/a> interviews Will Errickson<\/a> of Too Much Horror Fiction<\/a> about horror paperbacks, good and bad.<\/p>\n

\u2022 Another Surrealist woman: Claude Cahun<\/a> at Strange Flowers.<\/p>\n

\u2022 The Key of Hell<\/a><\/em>: an eighteenth-century sorcery manual.<\/p>\n

\u2022 Partitura 001<\/a>: realtime sound visualisation.<\/p>\n

\u2022 Scientific Illustration<\/a>: a Tumblr.<\/p>\n

\u2022 Cosmic Slop<\/a><\/em> (1973) by Funkadelic | Cosmic Slop<\/em><\/a> (1991) by Material.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jean Genet (1950) by Leonor Fini. \u2022 Biblioth\u00e8que Gay looks at a series of erotic engravings made by Leonor Fini for La Gal\u00e8re (1947) by Jean Genet. The author reciprocated with Mademoiselle: A Letter to Leonor Fini. At the hetero end of the erotic spectrum, Tate Liverpool will be showing a series of drawings by … Continue reading “Weekend links 60”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,5,22,3,16,20,13,18],"tags":[5644,1993,2588,1032,2594,394,1470,2582,2581,2586,2591,2587,751,2584,7046,692,730,1891,2595,2592,2583,2585,115,2589,2590,2419,2593],"class_list":["post-9459","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-science-fiction","category-science","category-surrealism","tag-afrofuturism","tag-bibliotheque-gay","tag-brian-aldiss","tag-china-mieville","tag-claude-cahun","tag-david-britton","tag-funkadelic","tag-george-clinton","tag-georges-bataille","tag-gil-scott-heron","tag-gille-lettmann","tag-jamie-byng","tag-jean-genet","tag-john-akomfrah","tag-kosmische-musik","tag-krautrock","tag-leonor-fini","tag-lord-horror","tag-material-group","tag-mlle-ghoul","tag-nona-hendryx","tag-parliament-group","tag-magritte","tag-richard-curtis","tag-rolf-ulrich-kaiser","tag-strange-flowers","tag-will-errickson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2sz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9459"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9459\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}