{"id":9441,"date":"2011-05-25T02:24:11","date_gmt":"2011-05-25T01:24:11","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9441"},"modified":"2011-05-25T02:24:11","modified_gmt":"2011-05-25T01:24:11","slug":"passage-15","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/05\/25\/passage-15\/","title":{"rendered":"Passage 15"},"content":{"rendered":"

\"passage15.jpg\"<\/a><\/p>\n

Directing your attention elsewhere again today, to the latest edition of Passage<\/em><\/a> the Dutch webzine run by my good friend Ed Jansen. Number 15 is described thus:<\/p>\n

Passage<\/em> 15 is, with a few exceptions, entirely devoted to art. Images govern our lives, literally and figuratively. Gaudier-Brzeska nearly a hundred years ago and Antony Gormley today affect our way of looking. Odd Nerdrum does so with his painting on a very different way. The music of Polly Jean Harvey made us curious about her sources of inspiration. The piece about Gallipoli is actually a kind of enormous footnote to her latest cd \u201cLet England Shake\u201d. The photo section provides an overview of exhibitions and performances in the past few months in and around The Hague, Netherlands.<\/p><\/blockquote>\n

Seeing Gaudier-Brzeska’s sculptures reminds me that I haven’t seen Ken Russell’s film of the artist’s life, Savage Messiah<\/em><\/a>, for many years. The large Antony Gormley work on the cover (Exposure<\/em>) makes a welcome change from the artist’s cast-iron clones. I’m still waiting for Gormley to create the Ejaculating Man<\/em>, a seawater-spurting statue he proposed for Seattle. It was rejected, of course, and it’s difficult to imagine any American city exhibiting something of that nature given the current climate. Maybe he should try Amsterdam.<\/p>\n

\"futuro.jpg\"<\/a><\/p>\n

Back at Ed’s work, his varied Flickr stream includes some recent views of Futuro<\/a>, a mobile holiday home designed by Matti Suuronen in 1968. What was once futuristic now has a Jetsons-like retro glamour.<\/p>\n

Previously on { feuilleton }
\n\u2022 Passage 14<\/a>
\n\u2022 Passage 13<\/a>
\n\u2022 Passage 12<\/a>
\n\u2022 Passage 11<\/a>
\n\u2022 Passage 10<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Directing your attention elsewhere again today, to the latest edition of Passage the Dutch webzine run by my good friend Ed Jansen. Number 15 is described thus: Passage 15 is, with a few exceptions, entirely devoted to art. Images govern our lives, literally and figuratively. Gaudier-Brzeska nearly a hundred years ago and Antony Gormley today … Continue reading “Passage 15”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,4,7,3,41],"tags":[1395,390,2564,595,2567,2565,2566],"class_list":["post-9441","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-design","category-film","category-music","category-sculpture","tag-antony-gormley","tag-ed-jansen","tag-henri-gaudier-brzeska","tag-ken-russell","tag-matti-suuronen","tag-odd-nerdrum","tag-pj-harvey"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2sh","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9441"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9441\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}