{"id":9138,"date":"2011-03-28T00:47:06","date_gmt":"2011-03-28T00:47:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9138"},"modified":"2012-07-13T02:24:55","modified_gmt":"2012-07-13T01:24:55","slug":"the-salome-paintings-of-caroline-smith","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/03\/28\/the-salome-paintings-of-caroline-smith\/","title":{"rendered":"The Salom\u00e9 paintings of Caroline Smith"},"content":{"rendered":"<p><a href=\"http:\/\/www.ccsmith.eu\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/03\/smith_seduction.jpg\" alt=\"smith_seduction.jpg\" \/><\/a><\/p>\n<p><em>Seduction.<\/em><\/p>\n<p>One of a series of paintings by <a href=\"http:\/\/www.ccsmith.eu\/\" target=\"_blank\">a British artist<\/a>, and what a great series it is with echoes of ancient art as well as Gustav Klimt. Also further evidence that this theme isn&#8217;t a wholly masculine preoccupation.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-salome-archive\/\">The Salom\u00e9 archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seduction. One of a series of paintings by a British artist, and what a great series it is with echoes of ancient art as well as Gustav Klimt. Also further evidence that this theme isn&#8217;t a wholly masculine preoccupation. Elsewhere on { feuilleton } \u2022 The Salom\u00e9 archive<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,44],"tags":[785,2409,1209,1495,1506,1208,1870,1270,1490,123,1309],"class_list":["post-9138","post","type-post","status-publish","format-standard","hentry","category-art","category-painting","tag-alla-nazimova","tag-caroline-smith","tag-gustav-klimt","tag-john-vassos","tag-julius-klinger","tag-manuel-orazi","tag-marcus-behmer","tag-peter-reed","tag-rene-bull","tag-salome","tag-steven-berkoff"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2no","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9138"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9138\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}