{"id":9109,"date":"2011-03-23T02:28:14","date_gmt":"2011-03-23T02:28:14","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9109"},"modified":"2011-03-23T02:28:14","modified_gmt":"2011-03-23T02:28:14","slug":"gothic-details","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/03\/23\/gothic-details\/","title":{"rendered":"Gothic details"},"content":{"rendered":"<p><a href=\"http:\/\/www.lunacommons.org\/luna\/servlet\/detail\/CORNELL~3~1~77174~10130010:Notre-Dame-de-Paris--Tower?sort=Preferred_Name%2CEarliest_Year%2CTitle&amp;qvq=sort:Preferred_Name%2CEarliest_Year%2CTitle;lc:CORNELL~3~1&amp;mi=783&amp;trs=1358\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/03\/gothic1.jpg\" alt=\"gothic1.jpg\" \/><\/a><\/p>\n<p><em>Gargoyles, Notre Dame de Paris.<\/em><\/p>\n<p>These aren&#8217;t all as old as they look, the gargoyles are part of Viollet-le-Duc&#8217;s 19th century restoration of Notre Dame, but the sepia tone makes them seem complementary. There&#8217;s a lot more at the <a href=\"http:\/\/www.lunacommons.org\/luna\/servlet\/CORNELL~3~1\" target=\"_blank\">Andrew White Architectural Photographs Collection<\/a> at Luna Commons.<\/p>\n<p><a href=\"http:\/\/www.lunacommons.org\/luna\/servlet\/detail\/CORNELL~3~1~80962~562:Florence--Wrought-iron-torch-holder?sort=Preferred_Name%2CEarliest_Year%2CTitle&amp;qvq=sort:Preferred_Name%2CEarliest_Year%2CTitle;lc:CORNELL~3~1&amp;mi=197&amp;trs=1358\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/03\/gothic2.jpg\" alt=\"gothic2.jpg\" \/><\/a><\/p>\n<p><em>Wrought iron torch holder or horse tether from the Strozzi Palace by Benedetto da Maiano.<\/em><\/p>\n<p><a href=\"http:\/\/www.lunacommons.org\/luna\/servlet\/detail\/CORNELL~3~1~77206~10130022:Reims-Cathedral--Flying-Buttresses?sort=Preferred_Name%2CEarliest_Year%2CTitle&amp;qvq=sort:Preferred_Name%2CEarliest_Year%2CTitle;lc:CORNELL~3~1&amp;mi=453&amp;trs=1358\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/03\/gothic3.jpg\" alt=\"gothic3.jpg\" \/><\/a><\/p>\n<p><em>Flying buttresses, Reims Cathedral.<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/29\/schloss-falkenstein\/\">Schloss Falkenstein<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/05\/11\/pites-west-end-folly\/\">Pite\u2019s West End folly<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/05\/viollet-le-duc\/\">Viollet-le-Duc<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gargoyles, Notre Dame de Paris. These aren&#8217;t all as old as they look, the gargoyles are part of Viollet-le-Duc&#8217;s 19th century restoration of Notre Dame, but the sepia tone makes them seem complementary. There&#8217;s a lot more at the Andrew White Architectural Photographs Collection at Luna Commons. Wrought iron torch holder or horse tether from &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/03\/23\/gothic-details\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Gothic details&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,12],"tags":[2393,397],"class_list":["post-9109","post","type-post","status-publish","format-standard","hentry","category-architecture","category-photography","tag-benedetto-da-maiano","tag-viollet-le-duc"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2mV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9109"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9109\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}