{"id":9101,"date":"2011-03-20T01:53:54","date_gmt":"2011-03-20T01:53:54","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=9101"},"modified":"2013-02-03T04:02:31","modified_gmt":"2013-02-03T04:02:31","slug":"weekend-links-51","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/03\/20\/weekend-links-51\/","title":{"rendered":"Weekend links 51"},"content":{"rendered":"

\"narcissus.jpg\"<\/a><\/p>\n

James Bidgood’s luscious and erotic micro-budget masterpiece Pink Narcissus<\/em><\/a> (1971) receives a screening at the IFC Center Queer\/Art\/Film festival<\/a>, NYC, on Monday. The film is presented by Jonathan Katz, curator of the Hide\/Seek<\/em> gay art show whose controversial history was recounted here<\/a> in December. The NYT<\/em> ran a short piece<\/a> about Bidgood, now 77 and not the first artist to be disappointed by his past work; they also have a Bidgood slideshow<\/a>. Hide\/Seek<\/em><\/a>, meanwhile, is now a touring exhibition.<\/p>\n

\u2022 Related: the delightful Drew Daniel of Matmos<\/a> (and Soft Pink Truth<\/a>) posing in a jockstrap<\/a> at the Club Uranus, San Francisco circa 1990; he also used to go-go dance wearing a fish<\/a>.<\/p>\n

\u2022 The Isle of Man may have one of the oldest parliaments in the world but its laws have often been out of step with its neighbour across the Irish Sea. This week the island joined the rest of the UK in granting civil partnerships to its citizens<\/a>. Now the name whose punning appeal so delighted James Joyce doesn’t seem as inappropriate.<\/p>\n

\u2022 Howard Jacobson<\/a>: “The novelist Yukio Mishima posed pointing a Samurai sword to his chest and ultimately had himself beheaded in public. This is what’s called taking your art seriously.”<\/p>\n

\"hutter.jpg\"<\/a><\/p>\n

The Realm of the Queen of the Night (1974) by Wolfgang Hutter from Zauberflote at 50 Watts<\/a>.<\/em><\/p>\n

The revelatory operations of the chance encounter lie at the heart of le merveilleux<\/em> (\u201cthe marvelous\u201d)\u2014the Surrealist conception of beauty. You find something marvelous in the world (an object, an image, a person, a place) that corresponds, like a piece clicking into a puzzle, to a deep inner need.<\/p>\n

Slicing Open the Eyeball: Rick Poynor on Surrealism and the Visual Unconscious<\/a> by Mark Dery.<\/em><\/p><\/blockquote>\n

\u2022 Boy from the Boroughs<\/a>: Alan Moore interviewed by P\u00e1draig \u00d3 M\u00e9al\u00f3id; Michael Moorcock interviewed<\/a> at Suicide Girls.<\/p>\n

\u2022 Illustrations from Quark<\/em><\/a>, the anthology of speculative fiction edited by Samuel Delany & Marilyn Hacker in 1970.<\/p>\n

\u2022 The Residents<\/a>, sans masks, filmed at their San Francisco home in the 1970s.<\/p>\n

\u2022 Bach’s Toccata and Fugue in D minor<\/em><\/a> played on a glass harp.<\/p>\n

\u2022 What art can do for science (and vice versa)<\/a>.<\/p>\n

\u2022 You can never have too much Virgil Finlay<\/a>.<\/p>\n

\u2022 Lydia Kiesling reviews Lolita<\/em><\/a>.<\/p>\n

\u2022 Alain Resnais film posters<\/a>.<\/p>\n

\u2022 Red Mug, Blue Linen<\/a>.<\/p>\n

\u2022 No GDM<\/em><\/a> (dub version) (1979) by Gina X | L. Voag’s Kitchen<\/em><\/a> (2004) by Soft Pink Truth.<\/p>\n","protected":false},"excerpt":{"rendered":"

James Bidgood’s luscious and erotic micro-budget masterpiece Pink Narcissus (1971) receives a screening at the IFC Center Queer\/Art\/Film festival, NYC, on Monday. The film is presented by Jonathan Katz, curator of the Hide\/Seek gay art show whose controversial history was recounted here in December. The NYT ran a short piece about Bidgood, now 77 and … Continue reading “Weekend links 51”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,29,7,5,48,3,14,20,13,18],"tags":[2329,2384,103,2377,2388,2379,489,135,201,2385,2031,2387,2383,2382,2389,2378,65,876,225,2381,1463,580,879,1895,807,2380,625],"class_list":["post-9101","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-electronica","category-film","category-gay","category-illustrators","category-music","category-politics","category-science-fiction","category-science","category-surrealism","tag-50-watts","tag-alain-resnais","tag-alan-moore","tag-drew-daniel","tag-gina-x","tag-howard-jacobson","tag-james-bidgood","tag-james-joyce","tag-jockstrap","tag-johann-sebastian-bach","tag-jonathan-katz","tag-l-voag","tag-lydia-kiesling","tag-marilyn-hacker","tag-mark-dery","tag-matmos","tag-michael-moorcock","tag-mozart","tag-narcissus","tag-padraig-o-mealoid","tag-rick-poynor","tag-samuel-r-delany","tag-the-residents","tag-virgil-finlay","tag-vladimir-nabokov","tag-wolfgang-hutter","tag-yukio-mishima"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2mN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=9101"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/9101\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=9101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=9101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=9101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}