{"id":8955,"date":"2011-02-25T01:39:02","date_gmt":"2011-02-25T01:39:02","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8955"},"modified":"2011-02-25T01:39:02","modified_gmt":"2011-02-25T01:39:02","slug":"pascal-sebah","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/02\/25\/pascal-sebah\/","title":{"rendered":"Pascal S\u00e9bah"},"content":{"rendered":"<p><a href=\"http:\/\/www.loc.gov\/pictures\/resource\/cph.3g11842\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/02\/sebah1.jpg\" alt=\"sebah1.jpg\" \/><\/a><\/p>\n<p><em>Studio portrait of models wearing traditional clothing from the provinces of Hedjaz (Hejaz), Yemen and Tripoli, Ottoman Empire (1873).<\/em><\/p>\n<p>Photo prints by Turkish photographer <a href=\"http:\/\/www.loc.gov\/pictures\/related\/?va=exact&amp;st=grid&amp;q=S\u00e9bah%2C+Pascal&amp;fi=name&amp;sg=true&amp;op=EQUAL\" target=\"_blank\">Pascal S\u00e9bah<\/a> (1823\u20131886) at the Library of Congress. I always like to see photos of ruins in the wild, so to speak, as they generally were in the 19th century before the imperatives of archaeology and mass tourism had cleaned, restored and reduced everything to the status of a museum exhibit or (in the case of the temple below) a <a href=\"http:\/\/www.sacred-destinations.com\/egypt\/kom-ombo-pictures\/tourist-bazaar-cc-dave-cross.jpg\" target=\"_blank\">shopping opportunity<\/a>. There&#8217;s more of Pascal S\u00e9bah&#8217;s work at <a href=\"http:\/\/commons.wikimedia.org\/wiki\/Pascal_Sebah\" target=\"_blank\">Wikimedia Commons<\/a>.<\/p>\n<p><a href=\"http:\/\/www.loc.gov\/pictures\/resource\/ppmsca.03657\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/02\/sebah2.jpg\" alt=\"sebah2.jpg\" \/><\/a><\/p>\n<p><em>K\u00f4m Ombo (Sud Est) (The ruins of the Temple of Sobek and Haroeris at Ombos, Egypt, between 1860 and 1886).<\/em><\/p>\n<p><a href=\"http:\/\/www.loc.gov\/pictures\/resource\/cph.3c08962\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/02\/sebah3.jpg\" alt=\"sebah3.jpg\" \/><\/a><\/p>\n<p><em>Colosses de Memnon \u00e0 Th\u00e8bes (between 1860 and 1890).<\/em><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/09\/21\/alhambra-cyanotypes\/\">Alhambra cyanotypes<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/08\/11\/constantinople-1900\/\">Constantinople, 1900<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/06\/26\/edinburgh-1929\/\">Edinburgh, 1929<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/06\/05\/old-bunker-hill\/\">Old Bunker Hill<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/11\/22\/inondations-1910\/\">Inondations 1910<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/07\/23\/berenice-abbott\/\">Berenice Abbott<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/09\/19\/eugene-de-salignac\/\">Eugene de Salignac<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/30\/luther-gerlachs-los-angeles\/\">Luther Gerlach\u2019s Los Angeles<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/20\/the-temples-of-angkor\/\">The temples of Angkor<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/05\/18\/the-bradbury-building-looking-backward-from-the-future\/\">The Bradbury Building: Looking Backward from the Future<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/06\/edward-steichen\/\">Edward Steichen<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/09\/02\/karel-plickas-views-of-prague\/\">Karel Plicka\u2019s views of Prague<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/07\/24\/atgets-paris\/\">Atget\u2019s Paris<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/04\/14\/downtown-la-by-ansel-adams\/\">Downtown LA by Ansel Adams<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Studio portrait of models wearing traditional clothing from the provinces of Hedjaz (Hejaz), Yemen and Tripoli, Ottoman Empire (1873). Photo prints by Turkish photographer Pascal S\u00e9bah (1823\u20131886) at the Library of Congress. I always like to see photos of ruins in the wild, so to speak, as they generally were in the 19th century before &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/02\/25\/pascal-sebah\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Pascal S\u00e9bah&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,12],"tags":[6779,2307,146],"class_list":["post-8955","post","type-post","status-publish","format-standard","hentry","category-architecture","category-photography","tag-ansel-adams","tag-pascal-sebah","tag-prague"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2kr","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8955"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8955\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}