{"id":8911,"date":"2011-02-16T02:53:47","date_gmt":"2011-02-16T02:53:47","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8911"},"modified":"2025-09-20T19:34:05","modified_gmt":"2025-09-20T18:34:05","slug":"leonardos-warrior","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/02\/16\/leonardos-warrior\/","title":{"rendered":"Leonardo&#8217;s warrior"},"content":{"rendered":"<p><a href=\"http:\/\/www.terminartors.com\/files\/artworks\/9\/7\/8\/9786\/Leonardo_da_Vinci-Profile_of_a_Warrior_in_Helmet.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/02\/leonardo.jpg\" alt=\"leonardo.jpg\" \/><\/a><\/p>\n<p><em>Bust of a warrior in profile (c. 1475\u201380) by Leonardo da Vinci.<\/em><\/p>\n<p>A recent interview question reminded me of this splendid Leonardo piece when I was discussing early artistic influences. One crucial influence for me was the example of my mother who&#8217;d been an art student during the 1950s specialising in ceramics and textile design. From an early age I was fascinated by her student sketchbooks, and by one drawing in particular, a very careful copy of this work by the young Leonardo. The British Museum has <a href=\"http:\/\/www.britishmuseum.org\/explore\/highlights\/highlight_objects\/pd\/l\/leonardo_da_vinci,_bust_of_a_w.aspx\" target=\"_blank\" rel=\"noopener\">the original<\/a>, about which they tell us:<\/p>\n<blockquote><p>The drawing shows Leonardo studying the art of his teacher, Andrea Verrocchio. Giorgio Vasari&#8217;s biography of Verrocchio in his <em>Lives of the Artists<\/em> (1550 and 1568) mentions two metal reliefs with profile portraits of Alexander the Great, leader of the Greeks, and Darius, the Persian king. They were sent by Lorenzo &#8216;il Magnifico&#8217; (&#8216;the Magnificent&#8217;) de&#8217; Medici, ruler of Florence (1469\u201392), as gifts to the king of Hungary. This drawing is probably based on one of these lost works by Verrocchio.<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/02\/desmazieres-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/02\/desmazieres.jpg\" alt=\"desmazieres.jpg\" \/><\/a><\/p>\n<p><em>Casque d&#8217;apparat (1981) by Erik Desmazi\u00e8res.<\/em><\/p>\n<p>Memories of the Leonardo drawing always follow the exaggerated logic of childhood and inflate its splendour and detail; I&#8217;d never seen anything like it and for years used to hope that Leonardo had produced many similar works. He hadn&#8217;t, of course, so it&#8217;s to other artists we have to turn for more of the same. French artist <a href=\"http:\/\/www.velly.org\/Erik_Desmazieres.html\" target=\"_blank\" rel=\"noopener\">Erik Desmazi\u00e8res<\/a> has produced a number of etchings depicting elaborately helmeted figures which are perhaps inspired by Leonardo&#8217;s warrior. Of the three in <a href=\"http:\/\/www.amazon.com\/Erik-Desmazi\u00e8res-Imaginary-Maxime-Pr\u00e9aud\/dp\/887439411X\" target=\"_blank\" rel=\"noopener\"><em>Imaginary Places<\/em><\/a>, a 2007 collection of his work, the one above is my favourite. I have a feeling I&#8217;ve seen derivations by other artists but nothing is coming to mind. As usual, if anyone knows of further examples, please leave a comment. Elsewhere there&#8217;s <a href=\"http:\/\/www.youtube.com\/watch?v=DMgx0KJ8mv0\" target=\"_blank\" rel=\"noopener\"><em>Leonardo&#8217;s Diary<\/em><\/a> (1972), a short film by Jan \u0160vankmajer in which the haughty figure is subject to some typical \u0160vankmajerian distortions.<\/p>\n<p>\u2022 See also: Erik Desmazi\u00e8res at the <a href=\"http:\/\/fitch-febvrel.com\/artists\/desmaz.html\" target=\"_blank\" rel=\"noopener\">Fitch-Febvrel Gallery<\/a>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/09\/03\/les-lieux-imaginaires-derik-desmazieres\/\">Les lieux imaginaires d\u2019Erik Desmazi\u00e8res<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/15\/jan-svankmajer-the-complete-short-films\/\">Jan \u0160vankmajer: The Complete Short Films<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/27\/the-art-of-erik-desmazieres\/\">The art of Erik Desmazi\u00e8res<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bust of a warrior in profile (c. 1475\u201380) by Leonardo da Vinci. A recent interview question reminded me of this splendid Leonardo piece when I was discussing early artistic influences. One crucial influence for me was the example of my mother who&#8217;d been an art student during the 1950s specialising in ceramics and textile design. &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/02\/16\/leonardos-warrior\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Leonardo&#8217;s warrior&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[52,2,21,7],"tags":[2279,375,2280],"class_list":["post-8911","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-fantasy","category-film","tag-erik-desmazieres","tag-jan-svankmajer","tag-leonardo-da-vinci"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2jJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8911"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8911\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}