{"id":8772,"date":"2011-01-30T01:50:57","date_gmt":"2011-01-30T01:50:57","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8772"},"modified":"2013-02-03T04:05:55","modified_gmt":"2013-02-03T04:05:55","slug":"weekend-links-45","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/01\/30\/weekend-links-45\/","title":{"rendered":"Weekend links 45"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"sa4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/01\/sa4.jpg\" \/><\/p>\n<p>That essential journal of esoteric culture, <em>Strange Attractor<\/em>, announced a fourth number this week sporting a psychedelic cover which may be the work of Julian House (no credit is given on the SA site). As to the contents:<\/p>\n<blockquote><p>From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in animals; voodoo soul and dub music; ancient peacock deities; Chinese poisoning cults; the history of spider silk weaving; heathen mugwort magic; sentient lightning; Jesuit conspiracy theories; junkie explorers; Dali\u2019s Atlantis; the resurgence of Pan (in London\u2019s Crouch End); anarchist pirates on Madagascar; an ancient Greek Rip Van Winkle; French anatomical waxworks; Arthur Machen\u2019s forgotten tales and Alan Moore\u2019s unpublished John Dee opera.<\/p><\/blockquote>\n<p>Further details and the means to order a copy can be found <a href=\"http:\/\/strangeattractor.co.uk\/shoppe\/sa-journal-four\/\" target=\"_blank\">here<\/a>.<\/p>\n<p>\u2022 Resonance FM&#8217;s <a href=\"http:\/\/weirdtales.me\/hub.html\" target=\"_blank\"><em>Weird Tales For Winter<\/em><\/a> has returned beginning with a presentation of <a href=\"http:\/\/www.forgottenfutures.com\/game\/ff4\/gateway.htm\" target=\"_blank\"><em>The Gateway of the Monster<\/em><\/a>, one of the better Carnaki tales by William Hope Hodgson. The story is read by <a href=\"http:\/\/www.myspace.com\/moonwiringclub\" target=\"_blank\">Moon Wiring Club<\/a>&#8216;s Ian Hodgson (no relation) and the musical atmospheres are provided by The Advisory Circle. I ought to have posted this news yesterday since you&#8217;ll have missed the broadcasting of the first half but the second half will go out at midnight (UK time) on Monday. Details <a href=\"http:\/\/cafekaput.blogspot.com\/2011\/01\/weird-tales-for-winter.html\" target=\"_blank\">here<\/a>, and the next release on the Caf\u00e9 Kaput label in February will be the soundtrack, <a href=\"http:\/\/cafekaput.blogspot.com\/2011\/01\/kap002-jon-brooks-music-for-thomas.html\" target=\"_blank\"><em>Music for Thomas Carnaki (Radiophonic Themes &amp; Abstracts)<\/em><\/a>.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/01\/keepcalmcthulhu.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"keepcalmcthulhu2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/01\/keepcalmcthulhu2.jpg\" \/><\/a><\/p>\n<p>\u2022 The <a href=\"http:\/\/www.keepcalm-o-matic.co.uk\/\" target=\"_blank\">Keep Calm and Carry On Image Generator<\/a> lets you work your own variations on the <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/28\/design-as-virus-8-keep-calm-and-carry-on\/\" target=\"_blank\">ubiquitous poster<\/a>. It wouldn&#8217;t work for me, however, so I rolled up my sleeves and made my own. This may be good as a CafePress design, yes?<\/p>\n<p>\u2022 <a href=\"http:\/\/blog.thequietman.co.uk\/2011\/01\/john-foxx-the-maths-interplay\/\" target=\"_blank\"><em>Interplay<\/em><\/a> is an album by John Foxx and The Maths due to be released on March 21st. As with last year&#8217;s collection of Foxx instrumental pieces, <a href=\"http:\/\/blog.thequietman.co.uk\/2010\/10\/john-foxx-dna-out-now\/\" target=\"_blank\"><em>DNA<\/em><\/a>, the package design is by Jonathan Barnbrook. John Foxx first came to prominence as the lead singer in Ultravox (do I need to say &#8220;of course&#8221;? Okay&#8230;\u201cof course&#8221;) and <a href=\"http:\/\/www.discogs.com\/Ultravox-Ultravox\/master\/5101\" target=\"_blank\">Ultravox&#8217;s debut album<\/a> was part-produced by Brian Eno. It&#8217;s been painfully obvious recently (and it pains me to say it) that Foxx&#8217;s <em>DNA<\/em> was a far more accomplished and engaging work than Eno&#8217;s recent collection of <a href=\"http:\/\/warp.net\/records\/releases\/brian-eno\/small-craft-on-a-milk-sea\" target=\"_blank\">over-hyped instrumentals<\/a>. Related: Barnbrook Design&#8217;s <a href=\"http:\/\/virusfonts.com\/news\/2011\/01\/barnbrook%E2%80%99s-top-albums-of-2010\/\" target=\"_blank\">albums of 2010<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/lopezbooks.com\/archive\/wsb\/overview.html\" target=\"_blank\">Word Horde 2.0<\/a>, &#8220;a substantial archive of manuscript material, correspondence, and books and printed matter, mostly signed&#8221; from the William Burroughs archives can be yours for $260,000. Related: <a href=\"http:\/\/strangeattractor.co.uk\/further\/william-burroughss-wild-boys\/\" target=\"_blank\">William Burroughs&#8217; Wild Boys photos<\/a>. Also: Rudy Rucker on David Cronenberg&#8217;s <a href=\"http:\/\/www.rudyrucker.com\/blog\/2011\/01\/25\/cronenbergs-naked-lunch-as-transreal-sf\/\" target=\"_blank\"><em>Naked Lunch<\/em><\/a>.<\/p>\n<p>\u2022 &#8220;Nabokov described how \u2018a modern taxonomist straddling a Wellsian time machine with the purpose of exploring the Cenozoic era\u2019 would encounter the following series of events in the evolution of these butterflies&#8230;&#8221; The <a href=\"http:\/\/rspb.royalsocietypublishing.org\/content\/early\/2011\/01\/22\/rspb.2010.2213.full?sid=488fd42a-54b3-4a02-b647-344e43ccbaaf\" target=\"_blank\">Royal Society<\/a> confirms that a contentious theory of Vladimir Nabokov&#8217;s concerning the descent of butterfly populations was accurate.<\/p>\n<p>\u2022 The work of G\u00e9rald Bertot aka Thomas Owen, a Belgian author of weird fiction, is explored at <a href=\"http:\/\/ajourneyroundmyskull.blogspot.com\/2011\/01\/100-years-of-unease.html\" target=\"_blank\">A Journey Round My Skull<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.guardian.co.uk\/film\/2011\/jan\/23\/orson-welles-last-film-release\" target=\"_blank\"><em>The Other Side of the Wind<\/em><\/a>, Orson Welles&#8217; unfinished film from 1972, may finally be given a release.<\/p>\n<p>\u2022 Jon Savage celebrates <a href=\"http:\/\/www.guardian.co.uk\/music\/musicblog\/2011\/jan\/26\/jon-savage-roy-harper\" target=\"_blank\">Roy Harper<\/a> and his extraordinary <em>Stormcock<\/em> album.<\/p>\n<p>\u2022 <a href=\"http:\/\/falseeconomy.org.uk\/blog\/save-oxfordshire-libraries-speech-philip-pullman\" target=\"_blank\">Philip Pullman<\/a> wants the Tory philistines to leave our libraries alone.<\/p>\n<p>\u2022 Rick Poynor takes a <em>d\u00e9rive<\/em> through <a href=\"http:\/\/observersroom.designobserver.com\/rickpoynor\/entry.html?entry=24408\" target=\"_blank\">the arcades of Paris<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.3quarksdaily.com\/3quarksdaily\/2011\/01\/spacemusic-new-and-old.html\" target=\"_blank\">Space music new and old<\/a>.<\/p>\n<p>\u2022 <em><a href=\"http:\/\/www.youtube.com\/watch?v=R48mnyq7uWM\" target=\"_blank\">Young Savage<\/a><\/em> (1977) by Ultravox | <a href=\"http:\/\/www.youtube.com\/watch?v=qdIj6XeAG2c\" target=\"_blank\"><em>Clicktrack<\/em><\/a> (2010) by John Foxx &amp; Jonathan Barnbrook.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>That essential journal of esoteric culture, Strange Attractor, announced a fourth number this week sporting a psychedelic cover which may be the work of Julian House (no credit is given on the SA site). As to the contents: From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/01\/30\/weekend-links-45\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 45&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,28,4,29,7,5,22,3,16,13],"tags":[1041,103,2161,197,145,1612,2211,104,2207,766,1295,246,982,954,1019,762,444,259,76,1463,2209,2206,87,98,1253,2403,2208,2210,807,185,2396,519,1190,1951],"class_list":["post-8772","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-burroughs","category-design","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-science","tag-a-journey-round-my-skull","tag-alan-moore","tag-arcades","tag-arthur-machen","tag-brian-eno","tag-cafe-kaput","tag-cafepress","tag-cthulhu","tag-david-cronenberg","tag-john-dee","tag-john-foxx","tag-jon-savage","tag-jonathan-barnbrook","tag-julian-house","tag-moon-wiring-club","tag-orson-welles","tag-peacocks","tag-philip-pullman","tag-pirates","tag-rick-poynor","tag-roy-harper","tag-rudy-rucker","tag-salvador-dali","tag-strange-attractor","tag-the-advisory-circle","tag-the-maths","tag-thomas-owen","tag-ultravox","tag-vladimir-nabokov","tag-voodoo","tag-weird-tales","tag-wild-boys","tag-william-burroughs","tag-william-hope-hodgson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2hu","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8772"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8772\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}