{"id":8692,"date":"2011-01-23T01:43:01","date_gmt":"2011-01-23T01:43:01","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8692"},"modified":"2013-02-03T04:05:59","modified_gmt":"2013-02-03T04:05:59","slug":"weekend-links-44","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/01\/23\/weekend-links-44\/","title":{"rendered":"Weekend links 44"},"content":{"rendered":"<p><a href=\"http:\/\/digitalgallery.nypl.org\/nypldigital\/dgkeysearchdetail.cfm?trg=1&amp;strucID=1018609&amp;imageID=1541568&amp;total=28&amp;num=20&amp;parent_id=1018587&amp;word=&amp;s=&amp;notword=&amp;d=&amp;c=&amp;f=&amp;k=0&amp;sScope=&amp;sLevel=&amp;sLabel=&amp;lword=&amp;lfield=&amp;imgs=20&amp;pos=22&amp;snum=&amp;e=w#_seemore\" target=\"_blank\"><img decoding=\"async\" alt=\"bradley.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/01\/bradley.jpg\" \/><\/a><\/p>\n<p><em>Poster by <a href=\"http:\/\/digitalgallery.nypl.org\/nypldigital\/dgkeysearchdetail.cfm?trg=1&amp;strucID=1018609&amp;imageID=1541568&amp;total=28&amp;num=20&amp;parent_id=1018587&amp;word=&amp;s=&amp;notword=&amp;d=&amp;c=&amp;f=&amp;k=0&amp;sScope=&amp;sLevel=&amp;sLabel=&amp;lword=&amp;lfield=&amp;imgs=20&amp;pos=22&amp;snum=&amp;e=w#_seemore\" target=\"_blank\">Will Bradley<\/a> for Victor Bicycles (c. 1895).<\/em><\/p>\n<p>\u2022 G. Wayne Clough, chief exective of the Smithsonian Institution, <a href=\"http:\/\/www.latimes.com\/entertainment\/news\/arts\/la-et-clough-smithsonian-20110121,0,4117339.story\" target=\"_blank\">finally admits that he made a hasty decision<\/a> in removing David Wojnarowicz&#8217;s video from the <em>Hide\/Seek<\/em> exhibition of gay art. Related: &#8220;Finland&#8217;s cultural gifts to the world include Sibelius, the Moomins and an artist that the country has been less eager to celebrate.&#8221; <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2011\/jan\/19\/tom-of-finland-turku\" target=\"_blank\">The belated homecoming of Tom of Finland<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.salonfutura.net\/2011\/01\/the-fiend-with-twenty-faces\/\" target=\"_blank\">The Fiend with Twenty Faces<\/a>: Jonathan Clements examines the legacy of Edogawa Rampo (Hirai Taro), the Japanese master of mystery and imagination.<\/p>\n<p>\u2022 RIP Susannah York. <em>The Guardian<\/em> posted <a href=\"http:\/\/www.guardian.co.uk\/film\/2011\/jan\/16\/susannah-york-life-in-clips\" target=\"_blank\">a selection of clips<\/a> including one from Robert Altman&#8217;s <a href=\"..\/2007\/12\/13\/images-by-robert-altman\/\" target=\"_self\"><em>Images<\/em><\/a> (1972).<\/p>\n<p>\u2022 More mixtapes: Trish Keenan&#8217;s <a href=\"http:\/\/www.gorillavsbear.net\/2011\/01\/16\/trish-keenan-mind-bending-motorway\/\" target=\"_blank\">Mind Bending Motorway Mix<\/a> and <a href=\"http:\/\/www.mixcloud.com\/the_Quietus\/quietus-mix-008-chris-cosey\/\" target=\"_blank\">a selection for Quietus<\/a> by Chris &amp; Cosey.<\/p>\n<p>\u2022 &#8220;<a href=\"http:\/\/www.popmatters.com\/pm\/post\/136101-\/\" target=\"_blank\">Ruin photos<\/a> speak to our desperate desire to have our world re-enchanted.&#8221;<\/p>\n<p><img decoding=\"async\" alt=\"tomorrow.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/01\/tomorrow.jpg\" \/><\/p>\n<p><em>Promo poster by <a href=\"http:\/\/www.whocollection.com\/hapshash_&amp;_osiris_posters.htm\" target=\"_blank\">Hapshash and the Coloured Coat<\/a> for My White Bicycle by Tomorrow (1967).<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/www.lrb.co.uk\/v33\/n02\/iain-sinclair\/the-raging-peloton\" target=\"_blank\">The Raging Peloton<\/a>: Iain Sinclair on two wheels good, four wheels bad.<\/p>\n<p>\u2022 <a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/the_tls\/article7171129.ece\" target=\"_blank\">The unknown Jorge Luis Borges<\/a>: five new anthologies reviewed.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.bbc.co.uk\/news\/world-europe-12214885\" target=\"_blank\">The French house untouched for 100 years<\/a> (and also <a href=\"http:\/\/www.allier.fr\/978-la-maison-mantin.htm\" target=\"_blank\">here<\/a>).<\/p>\n<p>\u2022 <a href=\"http:\/\/www.codex99.com\/design\/84.html\" target=\"_blank\">Electrotypes on Drugs<\/a>: old chemists&#8217; labels.<\/p>\n<p>\u2022 <a href=\"http:\/\/vimeo.com\/12507350\" target=\"_blank\"><em>South China Sea Pishkun<\/em><\/a> by Dinh Q. L\u00ea.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.youtube.com\/watch?v=AHRE5dyDKTA\" target=\"_blank\"><em>Bike<\/em><\/a> (1967) by Pink Floyd | <a href=\"http:\/\/www.youtube.com\/watch?v=L7fgVPsuxuM\" target=\"_blank\"><em>My White Bicycle<\/em><\/a> (1967) by Tomorrow | <a href=\"http:\/\/www.youtube.com\/watch?v=s0UzKZtR2RM\" target=\"_blank\"><em>Trip On An Orange Bicycle<\/em><\/a> (1968) by Orange Bicycle.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poster by Will Bradley for Victor Bicycles (c. 1895). \u2022 G. Wayne Clough, chief exective of the Smithsonian Institution, finally admits that he made a hasty decision in removing David Wojnarowicz&#8217;s video from the Hide\/Seek exhibition of gay art. Related: &#8220;Finland&#8217;s cultural gifts to the world include Sibelius, the Moomins and an artist that the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/01\/23\/weekend-links-44\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 44&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,27,4,851,29,7,5,22,3,12,17],"tags":[4158,1805,2010,2196,2191,2195,1158,218,2190,1483,2193,177,924,2192,2113,2194,2163,965],"class_list":["post-8692","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-borges","category-design","category-drugs","category-electronica","category-film","category-gay","category-horror","category-music","category-photography","category-psychedelia","tag-broadcast-group","tag-chris-cosey","tag-david-wojnarowicz","tag-dinh-q-le","tag-edogawa-rampo","tag-g-wayne-clough","tag-hapshash-and-the-coloured-coat","tag-iain-sinclair","tag-jonathan-clements","tag-jorge-luis-borges","tag-moomins","tag-pink-floyd","tag-robert-altman","tag-sibelius","tag-susannah-york","tag-tom-of-finland","tag-trish-keenan","tag-will-bradley"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2gc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8692"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8692\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}