{"id":8589,"date":"2011-01-05T01:14:14","date_gmt":"2011-01-05T01:14:14","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=8589"},"modified":"2011-01-05T01:14:14","modified_gmt":"2011-01-05T01:14:14","slug":"art-deco-bindings","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/01\/05\/art-deco-bindings\/","title":{"rendered":"Art Deco bindings"},"content":{"rendered":"<p><a href=\"http:\/\/www.grabink.com\/ASP\/gallery.asp?category=rel\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/01\/deco1.jpg\" alt=\"deco1.jpg\" \/><\/a><\/p>\n<p><em>Contes Oscar Wilde (c. 1928), design by Paul Bonet.<\/em><\/p>\n<p>Two selections from <a href=\"http:\/\/www.grabink.com\/ASP\/gallery.asp?category=rel\" target=\"_blank\">this gallery<\/a> of bookbindings from the 1920s. Few books receive this kind of treatment today but it&#8217;s by no means a lost art, <a href=\"http:\/\/www.guildofbookworkers.org\/gallery\/100anniversary\/contemp\/contemp.shtml\" target=\"_blank\">The Guild of Book Workers<\/a> has examples of recent designs.<\/p>\n<p><a href=\"http:\/\/www.grabink.com\/ASP\/gallery.asp?category=rel\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/01\/deco2.jpg\" alt=\"deco2.jpg\" \/><\/a><\/p>\n<p><em>La Canne de Jaspe (c. 1925), design by Pierre Legrain.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-book-covers-archive\/\">The book covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/13\/prismes\/\">Prismes<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/09\/the-art-of-thayaht-1893-1959\/\">The art of Thayaht, 1893\u20131959<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/18\/the-mentor\/\">The Mentor<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/02\/23\/the-art-of-cassandre-1901\u20131968\/\">The art of Cassandre, 1901\u20131968<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/29\/the-decorative-age\/\">The Decorative Age<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/25\/the-world-in-2030\/\">The World in 2030<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contes Oscar Wilde (c. 1928), design by Paul Bonet. Two selections from this gallery of bookbindings from the 1920s. Few books receive this kind of treatment today but it&#8217;s by no means a lost art, The Guild of Book Workers has examples of recent designs. La Canne de Jaspe (c. 1925), design by Pierre Legrain. &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/01\/05\/art-deco-bindings\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Art Deco bindings&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,4],"tags":[277,116,2136,2137],"class_list":["post-8589","post","type-post","status-publish","format-standard","hentry","category-books","category-design","tag-art-deco","tag-oscar-wilde","tag-paul-bonet","tag-pierre-legrain"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-2ex","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=8589"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/8589\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=8589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=8589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=8589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}